The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
In the Mood for Love belongs to Cheung, whose beauty lights up the movie like the polar star lights up a winter sky. Cheung is one of the few modern actresses who understands her own physical beauty as an expressive instrument.
The problem with In the Mood for Love is that its imagery has far too many face-cards and not enough twos and fives and eights, which, boring as they are, nevertheless constitute the indispensable nitty-gritty of narrative.
This is the eroticism of restraint, where desire remains forever buried in secrecy, and in the past. It is also the story of a divided nation, with the body politic inscribed on two almost lovers kept apart.
There may be no more sensual director in the world than Hong Kong's Wong Kar-Wai, and In the Mood for Love is one of his richest and most melancholy works, a shadow dance of would-be lovers sketched in suggestions and intimations.