The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The best thing about In the Realms of the Unreal are the sequences in which Darger's drawings, of epic battles and pigtailed heroines, are gently animated -- the pictures brought to life with subtle, fluttering motion.
While Yu has made a sensitive and intriguing introduction to Darger and his world, she could have gone further without the film becoming overwhelmed by the magnitude of his unsettling isolation and oeuvre.
The best way for a film to acknowledge the specialness of painting is to get out of its way and present it unaltered, whereas Yu uses it as raw material to be moved around, sometimes so crudely as to resemble the credits for Monty Python's Flying Circus.
Using Darger's own drawings (some of them animated by the filmmakers) and words, as well as interviews with the few people who came in contact with him, Yu presents a compelling, somewhat disturbing portrait of the artist.
Darger is one of the world's best-known outsider artists, but the fact that no one interviewed in In the Realms of the Unreal, Jessica Yu's excellent new documentary on his life and work, can agree on how to pronounce his name speaks volumes.