Indiana Jones and the Temple of Doom (1984)
Critic Consensus: It may be too "dark" for some, but Indiana Jones and the Temple of Doom remains an ingenious adventure spectacle that showcases one of Hollywood's finest filmmaking teams in vintage form.
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as Indiana Jones
as Willie Scott
as Short Round
as Mola Ram
as Capt. Blumburtt
as Chattar Lal
as Wu Han
as Lao Che
as Kao Kan
as Maitre d'
as Chief Henchman
as Chinese Pilot
as Chinese Copilot
as Village Woman
as Village Woman
as Village Woman
as Village Child
as Little Maharaja
as Eel Eater
as Sacrifice Victim
as Chief guard
as Temple Guard
as Temple Guard
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Critic Reviews for Indiana Jones and the Temple of Doom
Again you will savor the Indiana Jones schizophrenia: by day a bow-tied, bespectacled archaeologist; by night a resourceful swaggerer, whom Ford brings to life as a modern blend of Bogie and the Duke, with just a glint of misfit psychopathy in his eyes.
It's not the darker turn that makes The Temple of Doom uncomfortable at times; it's its mean-spiritedness.
Pic comes on like a sledgehammer, and there's even a taste of vulgarity and senseless excess not apparent in Raiders.
The film betrays no human impulse higher than that of a ten-year-old boy trying to gross out his baby sister by dangling a dead worm in her face.
Set years before the events of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom is sillier, darkly violent and a bit dumbed down, but still great fun.
Audience Reviews for Indiana Jones and the Temple of Doom
Following the massive success of "Raiders of the Lost Ark", it was inevitable that a sequel would follow. No sane minded, or financially aware, production company would ever dream of missing the opportunity to boost a few more zero's on their bank accounts. And so... the sequel made it to the screen three years later. Now, some have given this second adventure a bit of hard time but I happen to think it's a very underrated and action packed addition to the adventures of the whip- cracking, fedora-wearing Dr. Jones that we have come to know and love. This time, Indiana Jones (Harrison Ford) is in search of the Sankara Stones - artefacts that an ancient village believe has protected them for generations and with the recent disappearance of their children, only the stones will bring them back, as well as, the protection of their people. As is customary, Indy agrees to the exploration, but he does so with wanted (and unwanted) people in tow. Although a follow-up, Indy's second adventure actually precedes Raiders by one year (essentially making it the beginning of the franchise) and this time were we find ourselves in 1935. The Nazi's haven't occupied Europe, yet Indy is still going about his endeavours with just as much bravery and commitment as we'd expect. His (and our) adventure begins in China before moving onto India as Spielberg and Lucas leave behind the Nazi adversaries and opt for a more world exploration in the travels of our favourite archeologist. Some might argue that the Nazi's were part of the draw in Raiders - and I'd agree with them. Who doesn't like the Nazi's being challenged? However, what can't be argued, is that Spielberg still hasn't lost his touch in concocting an exciting matinee yarn. Even though the Nazi's are omitted (and missed) as villains, the second instalment adds to the overall sense of world wide adventures that Indy has experienced. That being said, many viewers were not happy with this film. It's a little more bubble-gum entertainment than the solidity of it's predecessor but when the character and his escapades are so much fun, it's still very difficult not to be drawn in. Let's face it, Raiders was an achievement that was never going to be surpassed but I admire Spielberg and Lucas' determination in trying. For example, the escape from a nosediving airplane by rubber dingy is genius action material, as is, the roller coaster chase through the mines and the (hugely iconic) ultimate rope bridge showdown make up some of the best action set-pieces in any of the films. In fact, the opening rolling gong at the Shanghai nightclub and mine shaft chase were originally planned for parts of Raiders but they couldn't fit it in. You could also say that the sense of humour was diminished in favour of a darker tone (leaving this to be one of the first films to ever be prescribed a newly appointed PG-13 rating). Once again, Ford embodies the role with such commitment and believability and despite the dark tone, Spielberg still retains a sense of humour with the incorporation of damsel in distress Willie Scott (a gleefully entertaining Kate Capshaw) and child sidekick "Short round" (a perfectly cast Ke-Huy Quan) and his action skills are, simply, at the peak of his powers. Despite it possessing some of the most iconic scenes and confrontations of Indy's adventures, this had been pilloried for being a lacklustre follow-up. It does have faults, for sure, but this is still one of most underrated of action adventures that Hollywood (or Spielberg) has ever produced. Mark Walker
Indiana Jones and the Temple of Doom is nowhere near as good as its predecessor, Raiders of the Lost Ark, but it hasn't lost the sense of adventure that made that earlier film so iconic. Certainly the boundaries of realism and plausibility are stretched rather thin, but this sequel (actually a prequel since the events take place before the events in Raiders) is solid entertainment. This time around, Indy finds himself narrowly escaping a botched attempt in China to retrieve a precious diamond. He ends up in India, where he is employed by a small town to find a stolen gem as well as a multitude of kidnapped boys. This endeavour is quite unsettling as the truth that Indy uncovers is not only mean-spirited but downright terrifying. Accompanied with a cast of popular Indian actors that add to this film's universal appeal, Temple of Doom is a fun adventure that will disturb and enthrall in equal doses.
While not having as great a story as the original film, "Indiana Jones and the Temple of Doom" serves as a very entertaining picture towards this adventure franchise, which has lasted decades and deeply impacted cinema. I must say that the characters in this film are much more fun to watch, due to their silliness, and the direction is just as good as before. The story unravels, less interesting than the first, but the action is far more improved. This sequel is not one to miss if you are a fan of the first. I enjoyed the hell out of it, although it's not as original!
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