The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's a film that resists categorization, staking a claim on a weird, absurdist territory of its own. For that, in the maddeningly generic landscape of '80s multiplexes, it was crucified. Now it's celebrated. And rightfully so.
The 1980s saw the release of so many truly atrocious films (Xanadu, Stroker Ace, Bolero, Shanghai Surprise, etc.) that it's absurd "Ishtar" became shorthand for the worst of the worst and continues to be blasted by folks who haven't even seen it.
If Ishtar has a personal stamp, it's not in what it has to say about Reagan-era militarism, but in what it has to say about collaboration, and how well-meaning people can goose each other to greatness-and folly.
A victim of its own hyped publicity and too harsh criticism, Ishtar is not the worst movie ever made or even a bomb, just a dim-witted silly comedy-thriller (with some good jokes) based on the casting against type of Warren Beatty and Dustin Hoffman.