Isn't Life Wonderful (1924)





Critic Consensus: No consensus yet.

Isn't Life Wonderful Photos

Movie Info

Producer/director D.W. Griffith's feature is a fairly realistic study of the deprivations visited on the German people after their defeat in World War I. In her best-ever performance, Griffith protégée Carol Dempster plays Inga, who does her best to hold her family together and keep food on the table despite grinding poverty, debilitating illness and out-of-control inflation. The most memorable scene finds Inga desperately trying to maneuver a basketful of near-worthless Deutschmarks to a market before the prices rise again and she is unable to buy meat. Aware that anti-German sentiment still prevailed in the US, Griffith cannily inserted an opening title which noted that the main characters were Polish. A further title explains that "The Story is laid in Germany only because the conditions there were most suitable to show the struggle of love over hardship." Filmed on location in Germany, Isn't Life Wonderful sentimentalizes things just a tad towards the end, but otherwise remains an uncompromising forerunner of the semi-documentary European "street" dramas of the late 1920s and early 1930s. Alas, the film failed completely at the box office, ending D.W. Griffith's career as an independent producer (he would continue to direct, but only as a "hired hand" for various studios).
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United Artists


Erville Alderson
as The professor
Helen Lowell
as Grandmother
Marcia Harris
as The aunt
Frank Puglia
as Theodor
Hans Adalbert Schlettow
as Leader of the Workers
Paul Rehkopf
as Hungry Worker
Erville Alderson
as The professor
Lupino Lane
as Rudolf
Robert Scholz
as Hungry Worker
Hans Adalbert von Schlettow
as Leader of the Hungry Workers
Walter Plimmer Jr.
as The American
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Critic Reviews for Isn't Life Wonderful

All Critics (1) | Top Critics (1)

Filming on location in 1924, D. W. Griffith dramatized, in the heat of the moment, the turmoil arising in Germany from runaway inflation and unhealed wartime traumas.

Full Review… | April 20, 2015
New Yorker
Top Critic

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