The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Every story needs some kernel of internal logic, some hold on reality. But Lyne's film is like trying to scale a mountain of Jello. There's no solid ground. Everything is constantly shifting and undulating.
Just when it's on the brink of becoming one of the most disturbing, disorienting and penetrating psychological horror movies, Jacob's Ladder -- in a self-deflating few minutes -- turns itself into a shaggy-dog story.
Jacob's Ladder is the nightmare as Rube Goldberg machine. Lyne bombards us with omens and portents, but they aren't rooted in anything, and so the audience remains in a state of arbitrary, floating anxiety.
Without a strongly sympathetic figure at the center of the movie, Jacob's plight seems very remote. Watching this film should feel like being caught in a nightmare, but it feels more like watching someone else who is caught in a nightmare.