The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
At its lyrical best, James and the Giant Peach, an adaptation of Roald Dahl's 1961 children's classic, evokes the casual enchantment of a book that, for many kids (including me), cast the spell of a goofily blissed-out mirage.
We fully anticipate the wrath of several generations of possessive children when we declare that the new Disney film of James and the Giant Peach is an improvement on Roald Dahl's 1961 backyard fantasy.
In general the magic as well as the heart of Roald Dahl's novel has remained stubbornly on the page, leaving us with this overly mechanical copy, as appetizing as a once-flavorful peach that's been in cold storage for far too long.
James and the Giant Peach, the latest animated film from Disney, is a technological marvel, arch and innovative with a daringly offbeat visual conception. But it's also a strenuously artful film with a macabre edge that may scare small children.