The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The pain and sadness of Picard's life are perversely relegated to another time and place, one the film can only visit from the distance of his recollections. By the end, [Arnaud] Desplechin makes him known thoroughly, but not vividly.
The fine lead performances by Benicio del Toro and Mathieu Amalric are the highlights of the artfully crafted, fact-based drama Jimmy P., which tries (sometimes in vain) to make psychotherapy cinematically intriguing.
Jimmy P. tells the more-or-less-true story of two men's friendship and one man's recovery. Beneath that, though, is a meditation on exile and lost identity in which very different people share remarkably similar circumstances.
The French director overcomes melodramatic tendencies in the early part of the movie to settle into something more subtle and interesting -- the tête-à-tête between two excellent actors fully inhabiting their roles.
Del Toro and Amalric's many analytic interactions come to feel like arias; Desplechin's films often have this intimately, unsettlingly operatic feel, as if the camera were recording a performance for proscenium at too close a range