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All Critics (20)
| Top Critics (7)
| Fresh (15)
| Rotten (5)
"Jug Face" is not uniformly polished, yet it's a breakthrough, not so much for gore, or terror, but because the director can truly do tension, maybe a harder trick to pull off.
This morbid, cruel movie seems leached of all things that might inadvertently give viewers pleasure.
Some low-budget manifestations of the supernatural jazz up the frights now and again, but as the novelty of worshiping a hole in the ground fades, the film paints itself into a corner.
Creepy atmospherics enliven this idiosyncratic chiller.
An impressively oozing slab of indie horror that bodes well for first-time writer-director Chad Crawford Kinkle.
Kinkle shows welcome restraint in pacing his grimy little tale, even if the sum of its parts never quite feels like more than an admirably rendered campfire yarn.
Has a chilling atmosphere.
A bizarre but consistently creepy tale of bad religion, bad spirits, and very bad behavior.
Jug Face is part supernatural horror and part nutso cult escape flick, but it never fully commits to either.
Jug Face becomes incredibly more terrifying once the themes of death are allowed to sink in, lingering in your mind hours after Kinkle's movie ends.
A rising tide of dread and desperation marks Jug Face, a low-budget, independent slice of Southern Gothic characterized by a solid technical package.
Chad Crawford Kinkle impressively imbues this supernatural world of backwoods mysticism with a plausible milieu while still staying committed to the film's own brewing insanity.
Never make a pact with a demon, fine we all know that, and this little horror movie, despite a rather curious idea (the pit, especially), doesn't have much to offer beyond that and doesn't work in any level - not as a tense slow-burn nor as an creepy hillbilly sect story.
Much like Magic Magic, an underrated psychological horror film if you ask me with an incredible performance from Juno Temple, I can't quite wrap my head around the poor audience reaction to this film. Is it the minimal gore that threw people off? Or was it the more low-key approach, that took a more deliberate pace to how it built its tension. Technically, this film isn't great. This isn't really a masterpiece by any means, it's not the Gravity of low-budget horror films. But it succeeds where so many others fail and that is knowing how to properly build to its climax. Problem with so many horror movies nowadays is that they blow their wad so early that by the point they DO get to the climax it has already overstayed its welcome and it pales in comparison to everything that came before it. That's a HUGE problem with horror in general, sometimes the climaxes just don't deliver. This is a film that certainly delivers the goods, you could say. On top of that you have a damn good cast. I'm, somewhat, reminded of We Are What We Are, it just has that same Southern Gothic style. The former is definitely more technically proficient than the latter, but I enjoyed both films. This doesn't really offer anything all that new in terms of storytelling, but it is told in an effective manner nonetheless. One aspect of the film I enjoyed was how this wasn't a group of superstitious hillbillies that worshiped a pit in the forest, and sacrificed lives frequently, in order to keep a non-existent beast at bay. There really IS a beast and it really demands a sacrifice in order for it to heal the community from any illnesses that they may have. It can't just be ANY sacrifice, however, which is where the name comes from. Dawai, played by the always talented Sean Bridgers, is the chosen potter by the beast. Dawai is given a vision and then he creates a jug with a person's face on it. The person whose face is on the jug must be the person sacrificed. There's this underlying theme of control and order to this sacrifice and that's something you don't see often in horror films. I have no idea why, but I liked that a lot actually. There is a method to the madness. But, and I realize this is my own doing, I was definitely really interested in the back story of this community and how they came to worship the pit. How'd they find out about this? Yes, you saw during the opening credits how it, somewhat, came to be, but I wanted it in a little more detail and not crudely drawn paintings. But I can't hold that against the movie. With that said, this isn't a crowd-pleasing horror movie, perhaps that also had to do with the reaction, I'm not gonna spoil everything but let's just say that if you enjoy dastardly villains getting their comeuppance, that shit doesn't happen here. Not going into the specifics, but that's something to warn you with. Still, while this is probably still just a good horror film at its best. It just doesn't really do enough to be more than just good. It doesn't have that 'Wow' moment that made We Are What We Are such a memorable film. If you saw that movie, then you know what I mean. There's nothing here, while it's all very well done, that you'll remember for more than a week. Still, I found myself enjoying this movie quite a bit. It's quite good indeed and another sign that horror is alive and well on the indie scene.
In an insular rural moonshiners' community, a malevolent pit periodically demands the sacrifice of whoever's face appears on a jug. If you can buy into the premise, this low-budget horror is very well-acted, creating a unique folk mythology and a creepy sense of backwoods doom; sort of a mix between WINTERS BONE and "The Lottery."
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