The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The best stuff in Jumper comes early, while the movie is still busy explaining its scenario. It's only when all the pieces are in place and the story actually kicks in that things start to fall apart, and quickly.
A movie so silly you may find yourself giggling helplessly even as you wish you could magically transport yourself almost anywhere else in the world but where you are, in front of the screen showing it.
As a travelogue, Jumper isn't half bad, with lots of juicy images of Rome, Tokyo, New York and other splendid places. But we're supposed to be watching a sci-fi action film, and that's where things go south.
It presumes, with misguided cynicism, that Rice's oafish choices reflect the smoldering fantasies of any average guy who might wish to jump himself out of an unforgiving, single-parent household in Ann Arbor, Mich.
Jumper had potential, though. It's got a clever premise. And at its best, in the beginning, it almost feels like the pilot for a prime-time series you'd like to see more of. But now we're jumping ahead of ourselves.
One of the cardinal rules when making a motion picture about a superhero, especially one no one has heard of, is not to make the integrity of the story depend on the existence of a sequel. Unfortunately, that's a rule that director Doug Liman breaks.