Keep the Lights On (2012)
Critic Consensus: Keep the Lights On is a mysterious, sexy journey deep into the love affair of two men that always manages to stay true to life.
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Critic Reviews for Keep the Lights On
This is a painful drama, but its pain is more studied than emotive, and it demands that we think just as much as it makes us feel.
The cast, uniformly excellent, draws us into a vibrant, energetic Manhattan where commitments are forged and broken through sheer chance and those seeking permanence must continually resist temptation and ennui.
A complex and mysterious tale of a love affair, one that lacks the tidy story arc of a movie but feels real.
When you summon memories of this film, they are almost always of two men in a room, in a default state of discontent.
A heart-breaking love story and call for emotional transparency in relationships.
Audience Reviews for Keep the Lights On
The kind of gay-themed drama that is becoming increasingly rare nowadays: one that is brutally honest and devastating like real love can be when ruined by drug addiction and by one person's dependence on another - which, if at first enraging, earns its place as the true core of the story.
Mind numbingly dull.
In "Keep the Lights On," Karen(Paprika Steen) gives her brother Erik(Thure Lindhardt), a documentary filmmakerin his 30's, grief over not being able to put his life together. That's even with her not knowing about his phone sex habit which is how he hooks up with Paul(Zachary Booth) who mentions something about a girlfriend after they have sex. That does not stop them from forming a relationship that goes beyond the physical, however. Meantime, Erik's friend Claire(Julianne Nicholson) wants to have his baby while he sweats out an HIV test. "Keep the Lights On" is a quietly intense and incisive look at a turbulent relationship. As erotic as the movie is, there is one sex scene that has to be one of the most emotionally unnerving I have ever seen. That having been said, the movie has less to do with sex than with addiction and those it affects. Ironically, Erik is an anchor for Paul, otherwise clean cut with a good job compared to Erik who has never been big on responsibility. Throughout, Erik gets glimpses of other potential realities, one of which would be a huge mistake to say the least. Along these same lines, the movie's central weakness is telling it entirely from Erik's point of view which, while building suspense concerning Paul's whereabouts, limits the story in not properly giving Paul adequate definition.
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