The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The anvils of obviousness rain down so hard and fast in New Zealand-born/Australian-based director Andrew Dominik's meditation on low-rent crime and American decline, that it might as well be a Coyote-Road Runner cartoon
Like its source material, the movie is stylish, profane, intelligent, and eminently diverting. But as much as it is a delight that Dominik has disinterred Higgins's work, it is a mild disappointment that the result is not more substantial.
Trading in pleasures of a deliberately rarefied sort, writer-director Andrew Dominik's talky, character-rich genre piece largely short-circuits thrills to sketch a grimly funny portrait of thugs taking care of business, in every rotten sense of the word.
The writer-director becomes so intent on hammering home the parallels between economic decay, political disappointments and petty criminals, there is nothing soft, or subtle, about it. He should trust his audience more.
Jolting, suspenseful, full of twisted sympathy for its goons' row of characters, and wickedly amusing to boot, Killing Them Softly summons up the ghosts of Goodfellas and a whole nasty tradition of crime pics.
And at the end, when that character collides head on with the election theme Dominik tends to overstate throughout, it all leads up to a punch line so thoroughly anti-inspirational and mordantly funny and just about perfect ...
It pulls off the clever trick of operating as a gangster movie - featuring characters with missions to complete and people to kill - while at the same time sarkily undermining these same folk, attributing them with a heavy dose of incompetence.