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All Critics (28)
| Top Critics (4)
| Fresh (10)
| Rotten (18)
| DVD (3)
It sweeps you up in Eric's Dionysian revelry and, like Zed, you'll be clambering for a shower afterwards.
I am not slamming this Roger Avary film for not being a Quentin Tarantino film. I am slamming it for not being a good Roger Avary film.
An ultra-violent but vapid crime caper that owes as much to Tarantino as to film noir, both American and French.
An ugly, mean movie that represents the low point for Tarantino knockoffs -- and Tarantino actually produced it!
Clever'n a barrel of monkeys.
Roger Avery's completely subtle masterpiece of a bank heist epic. The story is incredibly well crafted and eccentric, without having any of Tarantino's stink all over it (which ruined Pulp Fiction for me). The filming style is quite original, but also homages classics like Dog Day Afternoon. The acting was extremely above average for a low budget, including one of Eric Stoltz's best performances.
A thoroughly entertaining and stylish B-movie heist caper, but the balance between pros and cons isn't quite equal enough to warrant a strong recommendation.
Directed by Roger Avery, Produced by Quentin Tarantino, amidst the height of the 90?s Cult drug fuelled storylines, topped with violent criminals and a chaotic bank robbery.
Some pretty good camera shot interpretations and probably the role Eric Stoltz is best known for (apart from his smaller role in Pulp Fiction that is).
Certainly not flawless and perhaps the one that has dated more than some of the other within this genre and era, but one woth watching.
Pretty fun bank-robbery-gone-wrong film. Nothing new to the genera, but very entertaining. The main villian Eric was a pretty terrible person, which makes for a great antagonist. Moral of the story?: Be nice to prostitutes, because they may save your life in a hostile situtation.
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