Soul Kitchen (2010)
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as Zinos Kazantsakis
as Illias Kazantsakis
as Shayn Weiss
as Lucia Faust
as Nadine Krüger
as Thomas Neumann
as Anna Mondstein
as Herr Jung
as Nadine's Grandmother
as Nadine's Grandmother
as Inspector Meyer
as Restaurant Owner
as Frau Schuster
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Critic Reviews for Soul Kitchen
Nicely cast ensembler, centered on a hopelessly disorganized eatery owner and peopled by a weird collection of lovable eccentrics, is pacey entertainment that hardly puts a foot wrong.
Akin perfectly captures the antic pace, eccentric personalities, and fickle fortunes of the restaurant game, and his vision of the Soul Kitchen as an all-night bacchanal is irresistible.
Tasty concoction about a young man's frenetic struggle to keep his offbeat restaurant going.
Akin's earlier films were dramas, and he hasn't remade himself as a master of comedy, but even when the gags fall flat the vibe is agreeable.
The slapsticky tone of Akin's latest work is more anarchic than heavenly, but the picture has its screwball charms.
Audience Reviews for Soul Kitchen
A real sleeper, great movie. For Zinos the restauranteur, in his run-down, bland Soul Kitchen in Hamburg's industrial district, things just keep going wrong: his girlfriend, a journalist, leaves for China; his brother gets out of jail and brings his old friends and old ways back in Zinos's life; a chance meeting with an old school chum who's become a real estate developer turns into constant pressure to sell. It's hard to say more without ruining the intrigue, but for most of the movie, Zinos is a punching bag. The film is rarely heavy, and never mean-spirited, though: it just generates honest laughs, in an "Oh come on, what next!?" sort of way. Occasionally, the humour borders on slapstick, but all the jokes come from the plot, and something new is always happening to keep driving the story forward. Add in a great soundtrack (funk and soul, naturally), and you've got the recipe for pure cinematic joy. Highly, highly recommend, it's an excellent film.
Akin delivers a fresh, light-hearted comedy with his cast of regulars. I would have liked to see more of Birol Unel's intensity, but this was nicely balanced with the introduction of Anna Bederke. The soundtrack well paces the film.
Super witty, and fun, foreign romp with excellent music direction and a great supporting cast. So if you find yourself pouring over, and desperately sifting through, the recent drivel Hollywood is producing en masse in an attempt to find something acceptable to watch, give this flick a chance. It's refreshing, not too heavy, and chock full of chuckles!
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