The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film. Later Rex meets the beautiful but facially hirsute Paula Paul de Nerval. For Rex it is almost love at first sight, so he is therefore upset when, only a few hours after their meeting, she takes off to join a Cajun circus in Louisiana . A few months later, Rex, still obsessed with Paula, races southward in an Edsel to become a human cannonball at the same circus as she. The story jumps back to the present to Rex's latest film "La Comtesse de Baton Rouge," a chronicle of his strange love affair with Paula. Up to this point, the story has been surreal and quite poetic, but as Rex's movie unspools, the film becomes a zany comedy. ~ Sandra Brennan, Rovi