La Bête Humaine (Judas Was a Woman)(The Human Beast) (1938)
La Bête Humaine (Judas Was a Woman)(The Human Beast) Photos
as Jacques Lantier
as Robaud Séverine's Husband
as Dauvergne's Son
as Cabuche the Poacher
as Aunt Phasie
as Section's Chief
as Farm Worker
as Grand-Morin's servant
as Railway Worker
as Grand-Morin's Secretary
as Farm Worker
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Critic Reviews for La Bête Humaine (Judas Was a Woman)(The Human Beast)
The film has marvellous atmosphere and a fine cast, but the material, which involves brutal, uncontrollable passion seen in a social framework, turns oppressive, and at times Gabin is a lump.
It is simply a story; a macabre, grim and oddly-fascinating story.
Superb performances from Gabin, Simon and Ledoux as the classic tragic love triangle.
Jean Renoir's generous sensibility seems at odds with the sterile determinism of the Zola novel on which this 1938 film was based.
Renoir returns to the réelle du train with little comfort for his 'human beast.'
Audience Reviews for La Bête Humaine (Judas Was a Woman)(The Human Beast)
Jean Renoir's dark retelling of the classic novel by Emile Zola has beautiful naturalist cinematography, stunning locomotive sequences, and bravura talent courtesy of the three leads (Gabin, Simon, and Ledoux). La Bete Humaine is the equivalent of Emile Zola (praising everyman values) writing Crime and Punishment, as in all of the characters have hidden scars, mostly from murder, and you watch as they go from having ordinary lives to destructive relationships. There are some amazing moments with Renoir's camerawork and the acting, and a lot of okay ones, and though the finale was intense, the just okay moments overtake most of the film's running time, rendering a longer than it should'v been. All in all, a great Zolaesque character study. 88/100
Lovely Simone Simon (see Cat People) is a deadly seductress scheming her way from relationship to relationship. An accomplice to murder, she watches as husband kills lover. Feeling trapped, she takes a new lover, Jacques Lantier (Jean Gabin), and suggests that he kill the husband. A vicious cycle that could continue to perpetuate itself, but good ole' Jacques has a few demons of his own. La Bête humaine is a cinematic perfect storm. All the elements (Gabin, Simon, Renoir, Zola) come together to create a masterpiece of romance, tragedy and betrayal.
I dunno about this one. It had its moments of suspense, romance, etc. The scenes on the train and in the trainyard looked great. I've liked Jean Gabin in everything I've seen him in, and he doesn't disappoint here as Lantier. But forgive me, fans of her beauty (and she IS indeed beautiful), but Simone Simon's screen persona of spoiled pouting child gets old with me really quickly. It worked in Cat People, but here it's just annoying. The substory of the mysterious syndrome that turns Lantier into a murderous psychopath at the drop of a hat seemed very "deux ex machina" to me, kinda lame and gimmicky.The ending would have been more meaningful without it. I felt like this when I saw Le Bete Humaine the first time years ago, and my 2nd veiwing didn't change anything. Basically, a little overrated.
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