La Femme Nikita (Nikita) - Movie Reviews - Rotten Tomatoes

La Femme Nikita (Nikita) Reviews

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May 14, 2018
Feminist movie?

A woman has the role of a badass super spy that would traditionally be played by a man, so some people see this as feminist.

No, I don't think so. Every mission ends with Nikita crying her eyes out (except for the one easy peasy mission she gets right after she graduates from badass spy training).

If it were a man in the lead role and the film was named L'Homme Niko, for example, would the filmmakers have made him bawl his eyes out after every mission?

Of course not. You'd never see James Bond, Jason Bourne, Ethan Hunt, or whatever the hell Liam Neeson's character's name was in Taken, etc. crying after every mission they get sent on.

This film is sexist at its core. Women are too emotional and frail for the man's work of being a badass spy -- that's what this film is telling you.

Ultimately, Nikita's final mission, which she plans by herself and has sole responsibility for, ends in failure. The primary cause for her mission failure is that she can't control one of her male subordinates (Jean Reno). Then she packs her bags and bails on the life of being a badass super spy. Leaving the job to the men, presumably.

However, I liked the atmosphere and stylishness of this film and I liked the interaction between Nikita and Bob.
½ May 6, 2018
A rather pointless story about a "strong female" assassin whose main power is constant crying. And a total waste of Jean Reno as well...
April 23, 2018
Nikita von Luc Besson aus dem Jahr 1990 ist ein Film in dem eine Punkerin zu einer Profi-Auftragsmörderin ausgebildet wird. Dieser absolute Kultfilm mit einer herausragenden Anne Parillaud und einem grandiosen Tchéky Karyo ist brutal, berührend und humorvoll zugleich. Und cool ist er auch.
August 11, 2017
Bessons finest hour, despite parts of the score being incredibly dated.
August 7, 2017
With Valerian and the City of a Thousand Planets being surprisingly good I thought I would revisit a few of Luc Besson's older films that are favorites of mine starting with this action thriller. This is a stylish, well acted and engrossing film that has plenty of solid action, a good score and is perfectly paced. No it isn't all that plausible and even somewhat ludicrous but it isn't boring and is a good sign of what Besson would do with the genre later in his career.
April 30, 2017
The elegant style of Besson to recreate the transformation of a woman who is forcibly confined to the French intelligence agency is an example of a flat and uncoloured exercise of a promising plot which, although it pursues "the classical", permeates the superficial and the disappointingly expected. 62/100
August 2, 2016
An enjoyable, if somewhat lightweight, Luc Besson romp.
June 29, 2016
Revisited this for the first time in a long while. I think it's my favorite French film of all time, with the perfect art house melancholy ending.
January 27, 2016
Although its pacing is sometimes inconsistent, La Femme Nikita is a highly engaging spy flick that offers just as much character drama as it does action and thrills.
½ January 18, 2016
Upon cinematic release, being fascinated with Bridget Fonda, I watched 'Point of No Return', which I enjoyed but had no idea it was based on Besson's film. Badham's work was okay in my books, but nothing spectacular. Over the years I had loved those films of his I had seen ('Leon: The Professional', 'The Fifth Element', 'The Family' and 'Lucy'), and decided I wanted to see his earlier classic. I like the fact that Besson always has some hand in the writing, and the exquisite and graceful small part he wrote for acting legend Jeanne Moreau, virtually a microcosm of everything splendid she had ever brought to the screen. Besson has a very good feel for the genres his films represent--he plays to his strengths, and is not afraid to stick to his guns (for example, I'm glad he chose the ending that he did). The two significant extras on my DVD, remarking on the making of the film, and the sound selections by scorer Eric Serra, were both informative and entertaining, and added significant value. I highly recommend the experience to those who only think of 'The Fifth Element' when they think of Luc's work--you're in for a real treat...
December 28, 2015
A fast paced thriller with that takes the time to give us a look into the day to day life of the assassin known as Nikita. It looks fantastic, with beautiful cinematography and some great imagery from the mind of Luc Besson. The acton sequences are visceral and brutal, with none of the gloss that is usually associated with the action blockbuster. Nikita is beautiful and brutalized in some kind of strange allegory for women and their bodies. Nikita more than just a simple action film.
½ November 28, 2015
Luc Besson being great at his craft, as usual. At first is hard to find any sympathy for Nikita or to find her likeable at all. As the movie goes on though and she grows as a character, she quite grows on you.
October 4, 2015
Serving as one of Luc Besson's most critically acclaimed films, La Femme Nikita sounded like both a strong example of the cinema du look style and a powerful action film.

La Femme Nikita is credited as a turning point for Luc Besson, a film which serves as a bridge between the two most dominant sections of his career: the cinema du look era and the action era. The amalgamation of these elements is not flawless, but it is clear that La Femme Nikita is a strong film. In fusing these two central elements, La Femme Nikita is both a slowly paced study of interesting characters and a competently staged action thriller. It's not always the most interesting in both regards as it maintains a slow pace and a limited assortment of action films which limits the exhilaration potential, but there is certainly much to admire about the production.
The highly stylized use of blue filters is a key function of the film's cinema du look style, and it is very prominent during the intro scenes. Throughout the rest of the film, the filtered lights are restrained significantly so that there is clever visual manipulation to boast about. The cinematography is also excellent because it captures everything with a truly atmosheric framing which makes clever use of angles to convey the status of the characters as well as pulling back to sensible distance during the action scenes. The colour scheme and genuine mood of the visual style is iconic, and it is all moderated very well so that the substance in the narrative does not play second fiddle to its style which proves that Luc Besson is developing as a filmmaker while also staying true to his roots. The entire film is a stylish affair which capitaizes on strong scenery with beautiful cinematography while retaining atmosphere. Even the training montage scene unfolds with an unconventional style, using a very gentle musical score playing against the backdrop to convey a gentle sense of development within the main character. Throughout the entire film the musical score captures an ideal mood without overdoing it, and that means that the film succeeds for the ears of viewers as much as the eyes. It proves most effective during the action scenes as the action in La Femme Nikita is rich in intensity and clever style, making a strong impact during what proves to be a brief period of screen time.
As a genuine dramatic piece, La Femme Nikita really surprises. The story is about a teenage girl turned into an assassin and therefore can easily charter into cheesy territory, but Luc Besson's tenacious passion for telling a truly legitimate story ensures that it ends up being the furthest thing from that risk. The story itself is slightly familiar, but the sucess is predicated on the way that the film characterizes its titular protagonist. La Femme Nikita contains so much character building that it comes up somewhat short on the action front at times, but as a study of the protagonist it is actually a very gentle and intelligent tale within a gritty context which gives a lot of implied depth to the film. The actual extent that the narrative explores this proves inconsistent as the mystery surrounding the protagonist leaves much of it to the implications, but this encourages the viewers to actively engage with the text to draw their own conclusions. Nikita's instincts are somewhat primal. She acts like a child in a shopping store and eats without any sense of proper etiquette, failing to grasp a sense of proper social behaviour much of the time. It says much about her, conveying the extent of her education in its limitations. And as the dramatic material intensifies, we see her at her most vulnerable as she attempts to cope with the harsh world of being an assassin on the surface and a little girl trapped on the inside. In a feat that he would later climax in his masterpiece Leon: The Professional (1994), Luc Besson succeeds at putting a lot of depth into what really should be a cheesy archetype. I mean the protagonist is teenage girl trained as an assassin, and yet the amount of depth and complicated character in the narrative is notoriously remarkable. That's the true driving force behind the experience that is La Femme Nikita, and a tribute to one of the greatest talents that Luc Besson is capable of bestowing onto the world of cinema. And with a legacy for bringing out strong female characters in his texts, Luc Besson is able to emphasize the best talents of Anne Parillaud.
Anne Parillaud captures the spirit of the titular character brilliantly in La Femme Nikita. She manages to stress every essential element of the character. As the title emphasizes, Nikita is La Femme, as in she is the woman of the film. She conveys an innocent feminine nature through her childish behaviour, her manner of dressing and her sex appeal. Although, the last of those elements is actually restrained so that the film can focus on ensuring she is more than a pretty face. In actuality, Anne Parillaud captures an extensive level of depth in the role which expresses the vulnerability of the character while oscillating between that and her professionalism. She is a very complicated and unpredictable character, worthy of bringing intense emotional drama to the experience as well as a really sympathetic nature. Her involvement with the character resonates on every level, bringing out a complicated level of emotional exploration and addings strong physical involvement to the mood of every scene. Luc Besson is able to bring some of the finest talents out of Anne Parillaud in La Femme Nikita, and she makes a truly compelling case as the protagonist of the thriller without ever failing to give it her all.
Jean Reno is also a welcome presence. Within a very brief period of screen time, Jean Reno plays the exact kind of character he would later expand upon in Leon: The Professional. With a very blunt talent for capturing the professionalism of the character, Jean Reno proves himself capable of bringing a skilful edge to the screen and maintaining it with a strong sense of sophisticated confidence the entire time, sharing intense interactions with Anne Parillaud that stem from their contrasting approaches to dealing with high-pressure situations. This creates a greater sense of depth into the titular character by showing what she is in comparison to what she is expected to be, adding greater characterization to the narrative.
Jean-Hugues Anglade also brings a friendly appeal to the film.

So La Femme Nikita may be more of a slow character study than a thrilling action film, but its powerful visual style and intense dedication to character make it one of Luc Besson's far more intelligent features.
September 7, 2015
Parce que j'aime que toi
September 4, 2015
One of the better French films you'll see. Not that this says much, as most French movies are pretentious crap. Nikita, on the other hand, is far from that...

A woman in a criminal gang is captured after killing a policeman during a botched robbery. She is sentenced to life in prison but while in prison she is approached by a government agent who intends to make her a secret agent. She reluctantly goes along with the idea...

Interesting, engaging espionage drama with some great action scenes. Plot is good and the story follows well. The set up is also well done, and quite funny at times.

Quite gritty too. Has all the traits of a good drama.

So good, Hollywood remade Nikita as Point of No Return / The Assassin in 1993, with Bridget Fonda in the lead role. It was also made into a Canadian TV series, La Femme Nikita. The series lasted from 1997 to 2001 and starred Peta Wilson in the lead role.
½ August 28, 2015
Cool, crazy, chaotic, intense, stylish, sweet, violent, and all the other typical adjectives that describe most Luc Besson films.
July 5, 2015
Ca fait du bien de regarder du bon Besson. Parillaud dans son role de psychopathe entouree de Karyo et de Reno, tous sont au top.
Sans oublier la bande son de Serra que j'aime particulierement
½ June 27, 2015
I quite honestly fell in love with this film the very first time I ever watched... it even spawned a cult favorite TV series as well.
½ May 27, 2015
good enough. it's a fun flick. very stylistic. dated. nothing special though for being a classic.
May 1, 2015
The English dubbing I had to sit through for this movie was just awful, it should be illegal to dub foreign films!
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