Mary Poppins Returns
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All Critics (12)
| Top Critics (1)
| Fresh (9)
| Rotten (3)
Measured and sensible, The Nun lacks the full-on claustrophobic horror of a film like The Magdalene Sisters and moves through events at a matter-of-fact distance.
Pauline Etienne as the heroine is a harmonising centre, believable, luminous, quiet-spoken, poignant.
It's an affecting and frank take on the loneliness of faith as well as faithlessness, whose horrors come in odd contrast to the plush production values.
It's a generally classy yet dramatically underpowered affair traversing a steady path between respectable costume drama and habit-lifting exploitation.
Looks as tasteful as can be but, in terms of emotion, lacks any kind of finesse.
Guillaume Nicloux has, alongside Jérôme Beaujour, crafted a stately and atmospheric adaptation of Denis Diderot's novel, which is driven onwards by a powerful central female performance.
With impressive production design and a strong script, this is an engaging, well made French period drama anchored by a superb performance from Pauline Etienne, though the tone wobbles in the final act and the ending is curiously abrupt.
This Isabelle Huppert drama starts promisingly, but sadly reveals itself as a piece of hackneyed nunsploitation.
This is dark but comedic, with plenty of frills beneath the habit.
A strangely drab adaptation of Diderot's much racier novel.
Though Etienne and Huppert are fantastic, Guillaume Nicloux's adaptation of Denis Diderot's novel is neither nunsploitation nor chamber piece, just about working as a sermon on hypocrisy.
Nicloux escalates Suzanne's travails at just the right pace, wrestling his final act back from "The Perils of Pauline" territory to conclude with an shocking suggestion which brings the material's themes back to the forefront.
There are no featured reviews for La religieuse (The Nun) at this time.
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