The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
There's no deep message. No complex characters. No moments of high drama, no inspired speeches. But the pictures are pretty, the story is sweet and it's told by a top-notch team of Hollywood pros. It's not great; but it sure is likable.
To pluck romantic comedy from the jaws of a social crisis is a laudable project, worthy of Preston Sturges, and it's a pity that this featherlight drama-written by Tom Hanks and Nia Vardalos, and directed by Hanks himself-should falter in its task.
...it's an old-fashioned star vehicle, fashioned for the particular screen personas of Tom Hanks and Julia Roberts by Hanks himself, who directed the film and wrote the screenplay with Nia Vardalos. You may recall that he produced her breakthrough film...
It's enough that these two castaways are friends, but I guess friendship doesn't cut it when you're trying to create a star-driven hit. It should, though. Better a believable friendship than an unbelievable love affair.
At this point in their careers, Hanks and Roberts know a lot about how to make movies and how to reach audiences; these are relaxed and professional star performance, long on charm and short on theatrics.
It's easy enough to accept the romantic-comedy luck of the two finding each another. It's much tougher, and ultimately useless, to buy everything else about this fairy tale of self-reinvention in a stalled economy.
With its eager-to-please congeniality, it almost works, but with a pacing that is at once comfortably assured and frustratingly slack, like holding exactly to the speed limit on a stretch of open road, Larry Crowne never quite comes to life.