Mary Poppins Returns
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All Critics (16)
| Top Critics (8)
| Fresh (8)
| Rotten (8)
| DVD (1)
The representational fissures of cinema - the tension between the real and the imaginary, between imitation and inspiration - have been woven into its very fabric.
Dennis Hopper's The Last Movie is a wasteland of cinematic wreckage.
That sound you hear is of checkbooks closing all over Hollywood.
Film suffers from a multiplicity of themes, ideas and its fragmented style with flash-forwards intertwined.
One of the craziest (and druggiest) movies ever made, it's also blatantly self-deconstructing and meta to the max, albeit produced years before those terms became commonplace.
Dazzling, chaotic, indulgent.
The film fades out but not before it's given us a brilliant, exhilarating adventure in ideas.
One of the all-time classics of pretentiously incomprehensible cinema.
Take a look at the cast list and you'll see that Hopper called in many of his pals to do cameos, but all that talent couldn't help.
An astute and rather nasty allegory of Hollywood's cultural imperialism that seemingly could only have come from one of Tinseltown's very own longtime residents.
The implosion of film is Hopper's topic and style, he risks pretension and reaps wonders
The allegory attempted was so bizarre and unlike any Hollywood venture, that it's worth checking out for all the potential it had but never realized.
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