The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The Last Samurai is an idyll in which the savageries of existence are transcended by spiritual devotion. That's a beautiful dream, and it gives the film a deep pleasingness, but the fullness of life and its blackest ambiguities are sacrificed.
Disappointingly content to recycle familiar attitudes about the nobility of ancient cultures, Western despoilment of them, liberal historical guilt, the unrestrainable greed of capitalists and the irreducible primacy of Hollywood movie stars.
Despite the slow-moving and overly reverential parts, Algren's passage from bitter, self-loathing alcoholic to a man renewed and committed is emotionally satisfying in a way many bloated recent Hollywood productions can't accomplish.
The Last Samurai earns every minute of its near two-and-one-half hour running length. There's no fat to trim, and no sense that scenes have been included to pad the ego of the director and/or his star.