The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Lee Daniels' The Butler is the type of film that will likely please viewers who feel that they're doing their civic duty by learning about history and experiencing the trauma of the civil rights movement.
At times maudlin and at other times just smug, dabbed with just enough humour to keep from being insufferable, it's like a victory lap that serves to dull and distress the hard-earned footsteps that came before it.
The Butler is often impressively acted, beautifully shot and clearly designed to try to pick up a heartfelt award or two. But, as a film, it's too fragmented to carry its own weight on its shoulders and is over- burdened by a starry cast.
A more grandiose version of The Help, The Butler stands at the ready, eager to offer an after-dinner mint of simplified, sweetened history to make us--especially white Americans--feel good about how that whole racism thing turned out in the end.