Les Enfants terribles (The Strange Ones) (1950)




Critic Consensus: No consensus yet.

Les Enfants terribles (The Strange Ones) Photos

Movie Info

Adapted by Jean Cocteau from his own novel and directed by Jean-Pierre Melville, Les Enfants Terribles is set in motion when a sensitive youth, Paul (Edouard Dermit), is injured by a snowball flung by school bully Dargelos (Renée Cosima, an actress in male drag). The bully later reappears in the form of a young girl, Agathe (played again by Cosima), with whom Paul becomes infatuated. This arouses the displeasure of Paul's sister, Elisabeth (Nicole Stephane), who also harbors a carnal desire for her brother. Elisabeth arranges to destroy Paul's romance, forcing Agathe to marry another. The sister gets her comeuppance in a perversely indirect fashion at the hands of the male bully Dargelos. This film was completed in 1952, but not released in the U.S. until 1975. ~ Hal Erickson, Rovi
Art House & International , Drama
Directed By:
Written By:
In Theaters:
Arthur Mayer Edward Kingsley I


Nicole Stéphane
as Elisabeth
Renée Cosima
as Dargelos/Agathe
Melvyn Martin
as Michael
Roger Gaillard
as Gerard's Uncle
Maria Cyliakus
as The Mother
Jean Cocteau
as Narrator
Emile Mathis
as Vice-Principal
Adeline Aucoc
as Mariette
Maurice Revel
as Doctor
Jean-Marie Robain
as Headmaster
Show More Cast

Critic Reviews for Les Enfants terribles (The Strange Ones)

All Critics (9) | Top Critics (1)

Jean Cocteau has written the pic and delivers the commentary, which creates a gripping, dream-like attraction.

Full Review… | March 3, 2008
Top Critic

Perhaps Melville is the only one who could have directed Cocteau's book of childish mind games so lucidly.

Full Review… | January 3, 2015
Ozus' World Movie Reviews

Unfortunately, the film's more poetic visual tendencies are frequently undermined by the unnecessary narration written and performed by Cocteau himself, which informs us of emotions and psychological states that are mostly evident on-screen.

Full Review… | March 3, 2008
Q Network Film Desk

One must admire the talents of Melville and Cocteau while watching the film, but the strongest emotions are arch and the biggest plot turns are silly.

March 3, 2008

The tension is between heightened whimsy and its vérité settings, or, more specifically, between Jean Cocteau's writing (an adaptation of his 1929 novel) and Jean-Pierre Melville's direction.

Full Review… | March 3, 2008

The film also unmistakably bears Cocteau's stamp, and he even directed one scene (at the beach) when Melville fell ill.

Full Review… | March 3, 2008
TV Guide

Audience Reviews for Les Enfants terribles (The Strange Ones)

"Les Enfants Terribles" starts with boys with being boys, but maybe too much as Paul(Edouard Dermithe) is injured by an errant throw in a snowball fight lobbed by Dargelos(Renee Cosima). While Dargelos is expelled, it is not for that but for a run-in with the headmaster(Jean-Marie Robain). As far as Paul goes, the family doctor(Maurice Revel) says he will be okay with some rest, which leaves his sister Elisabeth(Nicole Stephane) to take care of him along with their invalid mother(Maria Cyliakus). When she dies, their friend Gerard(Jacques Bernard) takes them on a holiday to the sea. "Les Enfants Terribles" is a darkly entertaining tale of family tragedy and how family while comforting can also be the worst of traps at times. So while the movie has one eye on the past, it also has another one on the future, as these young people have already had more than their share of experience with death. That not only the involves the complicated feelings the characters have for each other that they have a hard time expressing despite all the words but also the movie's anticipating the French New Wave in its character structure and linking narration.

Walter M.
Walter M.

Super Reviewer


Jean-Pierre Melville may have directed "Les Enfants Terribles," but the film has little to do with the later crime pictures that form his main legacy. The true auteur here is Jean Cocteau. He adapted the screenplay from his own book. He narrates. A few visual tricks bear his stamp, such as a dream sequence with backward motion, a mustached bust who seems to smirk at the action and a trademark shot where one character "floats" forward while the rest of the scene blurs behind him. Even the artistic, fluffed-up hairstyles suggest Cocteau's typical screen heroes. The story resembles a Shakespearian tragedy wherein all events feel more symbolic than realistic. Paul (Edouard Dermithe, whose career was almost nothing but Cocteau-related projects) and Elisabeth (Nicole Stephane) are same-aged siblings -- their characters seem about 17 years old. As the film opens, they have a sick mother and rely on a maid. Their relationship has a heavy incestuous undercurrent, and they sleep in the same room without concerns for modesty. While Paul is at school, his friend Dargelos (Renee Cosima, masquerading as a boy) hits him in the chest with a snowball. Paul collapses, bleeding from the mouth. The snowball seemingly contained a rock but, even so, it doesn't make sense that Paul is so grievously injured. Perhaps Dargelos's betrayal was the true wound. Paul is sent home to convalesce in bed, while Elisabeth tends to him. Here, we learn they're strangely fixated on what they call "the game." It is not well-explained, but apparently involves trying to top each other with harsh words and cruelty. Most of the film centers around their salty, self-involved interplay, and Elisabeth is such a loud, relentless shrew that many viewers may be turned off. Eventually, the pair's friends Gerard (Jacques Bernard) and Agathe (Cosima again, interestingly) become important figures in the psychological warfare. Elisabeth also marries a rich youth named Michael, who ensures that she and Paul can sustain their insular, pampered lifestyle. During the final act, the dialogue eerily echoes amid the giant halls of Michael's mansion -- which only adds to the film's dream-like atmosphere. "Les Enfants Terrible" is consistently stylish and intriguing, and fans of Cocteau's Orpheus trilogy shouldn't overlook this less famous work. However, Cocteau is also responsible for the film's biggest flaw: His intrusive narration is grossly overused. Many quiet moments would be more evocative if the audience was left room for its own personal impressions.

Eric Broome
Eric Broome

Super Reviewer


I'm lost...

Stefanie C
Stefanie C

Super Reviewer

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