The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Nearly every song is shot in extreme close-up. I would have preferred to get lost in the music, rather than wonder "How did they get Jackman's eyes to look like that?" "When was the last time Redmayne shaved?" "When was the last time Hathaway ate?"
We're all familiar with the experience of seeing movies that cram ideas and themes down our throats. Les MisÚrables may represent the first movie to do so while also cramming us down the throats of its actors.
Despite its pitfalls, this movie musical is a clutch player that delivers an emotional wallop when it counts. You can walk into the theater as an agnostic, but you may just leave singing with the choir.
This is a big story, with big themes, based on Victor Hugo's really big novel about love, law and revolution in 19th-century France. Yet somehow, "Les MisÚrables" isn't the major movie event it should be.
A productive experiment, an epic-scaled weepie, an exercise in sincere kitsch, and, perhaps too easily dismissed, a rare modern movie about the wretched poor, a traditional subject of interest at this time of year.
The tasteless bombardment that is Les MisÚrables would, under most circumstances, send audiences screaming from the theater, but the film is going to be a monster hit and award winner, and not entirely unjustly.