The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The last 30 minutes of the story are overwhelmingly strong, blending human drama and social history into a series of extremely moving scenes, leading to a brief coda that's as unexpected and audacious as anything seen on a movie screen in years.
As the protagonist/victim, Eccleston gives a superb, riveting performance in his feature-film debut, as does Reynolds, another newcomer who deftly handles the role of the gun-crazy and trigger-happy Chris.
Let Him Have It is unabashedly weighted toward the perspective of the murderer as victim -- a notion that does not enjoy much public currency in our more violent times. But if ever there was a victim of the judicial system, it was Derek Bentley.
The script, by Neal Purvis and Robert Wade, finds enough quirks in its protagonists to lift them above the issues-movie premise. Michael Kamen's atmospheric chamber score is also crucial to the film's success.
With drab-chic production, Christopher Eccleston's marvellous central performance and a pop nostalgia soundtrack, the odious miscarriage of justice comes vividly to life to scandalise anew those unfamiliar with the true facts.