The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The movie's social agenda takes over; it becomes an editorial against the atrocity of capital punishment, and the personal details, the emotions, are obscured. As a result, the movie falls into two halves, and, therefore, is about half good.
As the protagonist/victim, Eccleston gives a superb, riveting performance in his feature-film debut, as does Reynolds, another newcomer who deftly handles the role of the gun-crazy and trigger-happy Chris.
With drab-chic production, Christopher Eccleston's marvellous central performance and a pop nostalgia soundtrack, the odious miscarriage of justice comes vividly to life to scandalise anew those unfamiliar with the true facts.
The script, by Neal Purvis and Robert Wade, finds enough quirks in its protagonists to lift them above the issues-movie premise. Michael Kamen's atmospheric chamber score is also crucial to the film's success.