The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
This series' record of maintaining an admirable level of quality stays intact, even if this film might best be used as a cinematic appetizer to see before renting a tape of one of the Connery or Moore classics.
Every once in a while, [the Bond series] pulls in its stomach, pops the gun from its cummerbund, arches its eyebrow and gets off another bull's-eye. The newest, Licence to Kill, is probably one of the five or six best of Bond.
With Dalton straightening out Bond for the second time, Licence to Kill continues the salvage operation begun in The Living Daylights and rescues a series that was in danger of shooting itself in the foot. With a Walther PPK, of course.
No quips. No smirks. No innuendoes. Just raw, exposed nerves. The traits for which Dalton gets dinged are those looking past the character's admittedly alluring surface pleasures. Women aren't the only things that keep 007 awake at night, you know.
The Bond women are pallid mannequins, and so is the misused Dalton -- a moving target in a Savile Row suit. For every plausible reason, he looks as bored in his second Bond film as Sean Connery did in his sixth.