The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Kiarostami is masterful in his layering of space, using glass walls, mirrors, and, in one instance, the aligned side windows of parked cars to suggest a world of divisions, both between people and within them.
The film deepens a style Kiarostami has been refining for years. Characters ride in the backs of cars, sealed off from the city and yet constantly moving. Reflections in windows and mirrors both bring characters together and keep them apart.
If "Like Someone in Love" frustrates, it also has ineffable grace in the framing of Kiarostami's long, languid shots, the changes he captures in the light, and the way the actors' smallest movements become fascinating.