The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Intended as a tragicomedy, if not a tearjerker, it is a two-thirds bore that comes to life in the last half-hour or so, when the old-master clown stops trying to be pathetic and reverts to his inimitable proper stuff.
Elements of self parody from the master of slapstick leave you yearning for the early work that made his name. But it's worth a watch to see Chaplin and Keaton in one of few on-screen appearances together.
Limelight seems stuck in time, even for 1952. The un-ironic pathos and sentimental humanism seems almost quaint in the post-Hitler world. But that's Chaplin for you - a man who lived by, and wrote, his own rules.
Premiering in 1952 when Chaplin was 63 years old, this melancholy reverie is a heartfelt expression of nostalgia for the Edwardian London music-halls of his youth, rich with deeply personal sentiment and warmly realized autobiographical fantasy.