This film is a great, poetic, inspiring mystery ride. I dare to say that it is the visually best film I've seen from that era.The slow, unique pace and the repeating structure of its main musical motif, Erik Satie's theme 'GymnopĂ (C)die', intensify the suggestive effect of the immensely beautifully captured images in a magnificent montage and unfolds one of the great philosophical questions of the 20th century: the unsolvable contradiction between transience of human life and the eternity of the universe. The story is hard to access, because Peixoto almost always works with flashbacks and rare title links, so we have to solve the puzzle for our own. Nevertheless, it's the imagery that is so fascinating, full of suicidal feelings, desperateness, tristesse and wonderfully compositions of nature - trees, foggy landscapes, waves. An unparalleled cinematic experience I will not forget and of course highly recommended.