Linha de Passe (2008) - Rotten Tomatoes

Linha de Passe (2008)

TOMATOMETER

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AUDIENCE SCORE

Critic Consensus: A gritty portrayal of modern day family life in Sao Paulo , with vividly drawn characters and an uncompromising resolution.

Linha de Passe Photos

Movie Info

Motorcycle Diaries director Walter Salles Jr. helms this story of a band of brothers intent on getting out of the Brazilian ghetto in a Media Rights Capital production. Co-directing is Daniela Thomas, from a script she wrote with George Moura (Moro No Brasil) and Salles. ~ Jeremy Wheeler, Rovi

Cast

Roberto Audi
as preacher
Gabriela Rabelo
as Dona Rosa
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News & Interviews for Linha de Passe

Critic Reviews for Linha de Passe

All Critics (19) | Top Critics (2)

Salles and Thomas's movie contains some extraordinary moments and its fine editing injects a dynamic cross-cutting energy.

September 19, 2008 | Rating: 4/6 | Full Review…
Time Out
Top Critic

Walter Salles' humanistic approach is evident in this film, which offers a poignant look of how Brazil has changed over the past decade.

August 19, 2011 | Rating: B | Full Review…
EmanuelLevy.Com

click for full review

May 14, 2009 | Rating: 1/5 | Full Review…
Movies for the Masses

This story of four brothers in São Paulo has a lively neorealist vibe that's utterly involving. And the characters are so vividly drawn by the filmmakers and cast that their mixture of hope and hopelessness really gets under our skin.

September 19, 2008 | Rating: 4/5 | Full Review…
Shadows on the Wall

It is as authentic as Salles and Thomas can make it even if it sometimes seems that, apart from the football angle, we have seen it all before. But if you haven't, then it's a real eye-opener.

September 19, 2008
London Evening Standard

The curse of modern Brazilian cinema, it increasingly seems, is that every film reminds us of City of God while none measures up to it.

September 19, 2008 | Full Review…
Financial Times

Audience Reviews for Linha de Passe

½

Engaging tale of 4 brothers' struggles to find themselves in the unforgiving maelstrom of Sao Paulo. The action sequences (especially the football) are shot with real dynamism and the ending is left bravely open but the themes are well worn.

Gordon Anderson
Gordon Anderson

Super Reviewer

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