The LEGO Movie 2: The Second Part
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All Critics (69)
| Top Critics (28)
| Fresh (28)
| Rotten (41)
| DVD (1)
"Little White Lies" is a bit too long, but has plenty of Gallic charm.
A sprawling, initially engaging French comedy-drama that became a hit in France but ultimately underwhelms.
The overall tone of "Little White Lies" feels off, or maybe it just doesn't translate to American audiences.
At times, it's amusing. At times, it's tragic. At times, it's romantic. But, like many vacations, it's way, way too long.
As the movie wears on ... the melodrama amps up to a final scene capable of draining any remaining pathos.
Little White Lies wants to capture something momentous and meaningful in these people's lives. But ultimately it's hard to care.
Guillaume Canet's great mistake is in having the gall to craft a moral about the seeming pettiness and emotional blindness of this bunch of vacationing, bourgeois Parisiens.
When a string of American oldies turns the movie into a two and a half hour version of The Big Chill, any harder emotions are thrown out for easy nostalgia.
A pleasurable and, at times, compelling experience.
Manages to capture the feelings of an entire generation and the double standards of the French upper class. [Full review in Spanish]
Little White Lies is less a portrait of the poignance and beauty of lasting, mostly platonic relationships than a lesson in how to be a shitty friend.
You go from sympathizing with [the characters] to wishing their time together would just end already.
With a first-rate cast and a great soundtrack, this is a warm and funny movie that already begins with an impressive long take, and although it has a maudlin conclusion that almost ruins it, it is centered on a group of characters who are flawed and entirely human - like they should be.
While one of their members is ailing, a group of friends proceeds with their yearly vacation.
This film is a modern French version of The Big Chill. One can even draw one-to-one comparisons between the characters: Francois Cluzet's character = Kevin Kline's character, Jean Dujardin's character = Kevin Costner's character, Marion Cotillard's character = a combination of Meg Tilly's and Mary Kay Place's characters. It even has many of the same songs. It's okay to imitate, especially when a film is imitating one of the best, and The Big Chill is a superior film. But there are two important aspects of comparison that I consider relevant to evaluating Little White Lies. First, The Big Chill's characters could be reduced to types, but by the end of the film, the individual qualities of these character cause them to rise above the cliche type: the philosophical justifications behind Jeff Goldblum's character make him more interesting than the horny guy type. The same is true with Little White Lies; the scene outside Lea's apartment in Paris makes Gilles Lillouche's character more interesting than his horny guy type. This is where the French version succeeds, but The Big Chill, in addition to being an interesting film in itself, it's also a cultural critique, capturing the ennui and disappointment and failures of the Baby Boomer generation. It may be that Little White Lies makes a similar cultural critique for French audiences, but it doesn't translate, and including the sixties nostalgia songs that graced The Big Chill only serves to muddy the film's message.
Overall, this is a strong film with excellent performances and esprit de corps, but the film's larger context makes it less than its idols.
Some of the best character development I've ever seen.
Also, this is the first movie that ever made me cry in theatres.
I pretty much loved it and decided to overcome its flaws, which actually allow the viewer to omit them only if they have a heart. Cause this movie is going straight for yours.
"Call yourselves friends? You buy into each other's lies."
Every year, Max, a successful restaurant owner, and Véro, his eco-friendly wife invite a merry group of friends to their beautiful beach house to celebrate Antoine's birthday and kick-start the vacation. But, this year, before they all leave Paris, their buddy Ludo is hurt in a serious accident, which sets off a dramatic chain of reactions and emotional responses.
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