The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The relative clarity of the story allows director John Glen and screenwriters Richard Maibaum and Michael G. Wilson to inject moments of subtlety and human interest -- commodities that in recent Bonds have been in even shorter supply than sense.
Despite being hampered by an overly convoluted plot and two of the feeblest Bond villains ever (greedy buffoons Koskov and Whitaker don't have a quantum of menace between them), Dalton brings much-needed grit to the role.
Dalton shows a serious side that's been missing from the role since Sean Connery's earliest 007 days. And as a whole, the new picture is less of a special-effects affair than most of Roger Moore's Bond films.
"Finally, a James Bond movie that Ian Fleming can be proud of. Dalton is a lean, mean and bold Bond. Full of great action and featuring a romantic sub-plot that elevates this above most other 007 adventures."
Dalton is a dapper, dashing and dangerous Bond. And although "Casino Royale's" sophisticated blend of thrills and personal turmoil slightly eludes "Daylights," it's a sign that the producers then had the right instincts if not the full initiative.