Lola Versus (2012)
Critic Consensus: It's fun to see Greta Gerwig mature her acting career but Lola Versus -- with its unpleasant characters and completely familiar script -- does not succeed as her first major leading role.
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as Woman Subletter
as Fantasy Bar Guy
as Hombre en el restaurante
as Mujer en el restaurante
as Miembro de la banda de Henry
as Miembro dela banda de Henry
as Miembro de la banda de Henry
as Strip Club Man No. 1
as Strip Club Man No. 2
as Bodega Worker
as Plaza Man
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Critic Reviews for Lola Versus
LOLA VERSUS puts the fun in dysfunctional love and is what happens when you shake life up a little bit and let it fall out of your hands.
It's such a mopey, navel-gazing affair that even Gerwig has a hard time saving it.
An extremely smart, exquisitely funny film about finding yourself amid the clang and clutter of contemporary life.
Lola Versus is all Greta all the time, a bonanza for fans and proof that Gerwig's easy offbeat charm, obvious smarts and physical comedy gifts can carry a film.
There's a Fitzgeraldian sense of generational malaise in all of this, but "Lola Versus" is convinced that it's hilarious.
Audience Reviews for Lola Versus
While there was lot about this movie that I liked--Greta Gerwig is always great, it's stylistically quite watchable, and its humour is just sardonic enough--overall it had nothing to say, and there was nothing novel in its approach; though quite a "real" film, it really was just the blow-by-blow of a breakup, and not a particularly interesting one at that. It's a competent movie, but unfortunately, nothing more than that.
Wasn't perfect, and a little slow in places, but likeable cast make this an enjoyable chick flick. Second viewing update 13/11/2014 I liked this so much more this time around. I have upgraded another star. I think initially I expected a rom com and when it didn't turn out to be exactly that, I felt a bit disappointed. This is a story about growing up and realizing what you need and what you don't, and learning by making mistakes. It actually does have a nice final message about finding your own strength and not relying on a man.
Hanging around in supporting roles for a while now, Gerwig has proven to be a likable presence. Her first lead role shows just how charismatic she is as few actresses could make such a self-involved character anything but repugnant. The movie is full of the usual indie cliches, the kooky friend, the whacky liberal parents, the artistic nice guy and the hunky bad boy. The irony is that Kinnaman is portrayed as the villain of the piece yet comes across as the only remotely down to earth character. He has a maturity and a self-realization that none of the others possess. Despite being on the brink of their thirties, they treat life as if they are still in their teens. The whole thing reminds me of that nineties TV show "Felicity". Gerwig and her irritatingly quirky best friend Jones seem to think the world revolves around their orgasms, or lack of. I suspect female viewers will find it hard to sympathize with Lola. After all she's an attractive and seemingly financially stable young woman who gets hit on by men on a regular basis. It's a bit like a female variation on "The Brothers MacMullen", a movie where three hunky brothers faced the earth-shattering dilemma of which of their various hot girlfriends to stick with. There are times you'll just want to give Lola a good shaking. At one point she agrees to have dinner with a guy who is clearly a couple of futons short of a Greenwich loft. She then unbelievably allows him to penetrate her without a condom. Maybe Julian Assange was a technical advisor? Lola is an idiot who gets everything she deserves and a terrible role model for young women. The movie should be retitled "Lola Versus the Audience".
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