Los Rubios (2003)

TOMATOMETER

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

Los Rubios Photos

Movie Info

In an effort to reconstruct the abduction and murder of her own parents, this highly personal pseudo-documentary from director Albertina Carri endeavors to illustrate the brutality of Argentina's military dictatorship of the 1970s. Carri is no stranger to experimental techniques -- her short film Barbie Can Be Sad, Too was narrated entirely by dolls -- and Los Rubios is equally unconventional. Though the film starts off with a fairly cut-and-dried depiction of the investigation surrounding the 1977 disappearance of a group of political militants (a group which included Carri's parents), it isn't long before abstract metaphors begin their takeover: footage of real-life interviews with friends and neighbors is shown alongside a fantasy sequence involving a plastic spaceship hurtling toward a pair of plastic toys that Carri chose to represent two parental figures. Similar references to the struggle for identity are made throughout the film, which aired at the 2003 Buenos Aires Film Festival to great success. Los Rubios also features Analia Couceyro.
Rating:
NR
Genre:
Art House & International , Documentary , Drama
Directed By:
Written By:
In Theaters:
 wide
Runtime:
Studio:

Critic Reviews for Los Rubios

All Critics (9) | Top Critics (4)

No excerpt available.

Full Review… | April 6, 2009
Variety
Top Critic

After watching this chilly film, you won't cry for Argentina so much as you'll be scratching your head about it.

September 3, 2004
Orlando Sentinel
Top Critic

It's won significant acclaim and recognition in Argentina even though it refuses to offer the comfort and certainty of a conventional documentary -- something that has alienated part of the mainstream press.

Full Review… | August 27, 2004
Chicago Reader
Top Critic

No excerpt available.

April 8, 2004
AV Club
Top Critic

Oblique, self-conscious semi-documentary.

April 7, 2004
New York Times
Top Critic

Unpretentiously poetic and casually stylish, yet perversely precise.

April 6, 2004
Village Voice
Top Critic

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