Love Liza


Love Liza

Critics Consensus

Hoffman's performance is strong, but the lack of character development and story arc makes Love Liza unsatisfying.



Reviews Counted: 85

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Audience Score

User Ratings: 7,122


All Critics | Top Critics
Average Rating: N/A
Reviews Count: 0
Fresh: 0
Rotten: 0


Average Rating: 3.6/5

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Movie Info

Wilson Joel is a man in trouble. There's a searing pain in his gut that he can't tolerate and a dazed quietness to his struggle as he tries to maintain his equilibrium. Wilson is attempting to move on from the sudden and inexplicable suicide of his wife. His mother-in-law is there for him, but her sympathies turn quickly. He has an employer that seems to want to help him, and a workmate who wants him for herself. But nothing and no one can give Wilson solace; so, he seeks oblivion. It is not the usual alcohol or drugs. Wilson inhales fumes from gasoline cans and model airplane fuel and finds temporary salvation in the company of remote-control model enthusiasts. However, nothing that provides him relief really lasts.

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Kathy Bates
as Mary Ann Bankhead
Sarah Koskoff
as Maura Haas
Terry Loughlin
as High School Principal #2
Ann Morgan
as Liza Joel
Shannon Holt
as Angela Ryan
Jim Wise
as Bland Man
Trace Turville
as Bland Woman
Mark Hannibal
as Waiter With Drink
David Lenthal
as Hobbytown USA Clerk
Wayne Duvall
as Gas Station Cashier
Pauline Boyd
as Zoo Information Woman
Ernest Perry Jr.
as Concerned Trucker
Cullen Douglas
as Nasty Pancake House Cashier
Joanne Pankow
as Grandma Clerk
Dan Klaas
as Escort Out of Town Officer
Chris Ellis
as Patriot Hobby
George Mills
as Pickup Truck Driver
Julia LaShae
as Breakfast Woman
Terry O'Deen
as Parking Lot Date
Don Hood
as Good Morning Man
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Critic Reviews for Love Liza

All Critics (85) | Top Critics (28)

Audience Reviews for Love Liza


As illustrious as Philip Seymour Hoffman's career has become, Love Liza perhaps offers a hidden gem in his laudable career. In it he plays a distraught widower, whose wife killed herself for seemingly unknown reasons. This propels him on a strange journey involving gasoline and remote controlled airplanes. It's an undeniably indie film, unconventional in many respects, and effective on an emotional level. Its narrative arc, however, leaves something to be desired. Philip Seymour Hoffman's performance is certainly the most notable aspect of the film, making it worth watching for its shear depth and power alone. He embodies the manic personality perfectly, sometimes deliriously upbeat, other times helplessly distraught and confused. This is what the film gets right, a loss such as what Hoffman's character experienced is not easily gotten over, and does not offer happy endings or easy answers. Life can be confusing, inexplicable, and harsh, Love Liza captures this with a mature sense surpassing many similarly themed films. The problem with Love Liza, however, is that its script, smart in its characterizations, doesn't pay off in a narrative sense. The relationship between Hoffman and his wife is never fully explored, with no sense of resolution to be had, which can work, but only if we can more aptly identify with the dynamics at work. The film offers interesting characters, but raises more questions than it answers, leaving the film in a bit of a meandering spot. An overall effective drama, notable for its strong central performance. 3.5/5 Stars

Jeffrey Meyers
Jeffrey Meyers

Super Reviewer


Despite him regularly being the support with smaller roles, Philip Seymour Hoffman was an actor that always grabbed my attention with his consistently excellent performances, while the bigger 'stars' around him struggled to keep up. This was the film that gave Hoffman a rare lead role, helping him cement his reputation as one the finest actors of his generation. Following his wife's suicide, computer designer Wilson Joel (Philip Seymour Hoffman) is left with a goodbye note he cannot bring himself to read. His grief takes a peculiar turn when he becomes addicted to sniffing gasoline and becomes involved in flying toy planes just to feed his petrol habit. Sometimes a film comes along that's not entirely classic stuff but gives an exceptional actor a showcase role and a chance to show what they can do. This is that very film for Hoffman. His performance is marvellous, shifting effortlessly from one emotion to another as he conveys the depths of his despair and emotional suffering. This is an actor displaying his full acting range and when his performance was lavished with superlatives, it deserved every one of them. The film itself is an offbeat little drama, that doesn't follow the conventions of it type. It has touches of brilliance and director Todd Louiso (in his debut) shows that he can confidently craft a good character study. The supporting roles are also well played by the ever-reliable Kathy Bates as Wilson's mother-in-law and especially Jack Kehler as Wilson's childlike friend Denny - who all but reprises his small role of The Dude's landlord in the "The Big Lebowski". The problem with the film though, is the pace. It's only 90mins long but feels longer somehow, as sharing a character's mental and emotional anguish isn't good for the time flying. If sitting through a film where the main character is in a constant state of suffering and losing his grip on reality, doesn't appeal to you then avoid this, but by avoiding you would only miss out on an acting masterclass.

Mark Walker
Mark Walker

Super Reviewer


Philip Seymour Hoffman, Kathy Bates, Jack Kehler DIRECTED BY: Todd Louiso Following the unexplained suicide of his wife Liza, website designer Wilson Joel (Philip Seymour Hoffman) turns to gasoline fumes and remote control gaming while avoiding an inevitable conflict with his mother-in-law (Kathy Bates). Oh what a sad, depressing movie that was brilliantly done by Hoffman. Just so raw and honest. The more movies I see with Hoffman the more I love him. He is amazing. Kathy Bates is amazing she needs no praising. Just the two of them in this film were great. You feel so bad for his character and the downward spiral he is going down. Although it's a bit slow, the performances you get is well worth it.


Super Reviewer


It's interesting that I watched this movie right after Away From Her. Whereas the latter film explored heavy emotions like loss evenly and with purpose, Love Liza's interest seems to be dragging you through the mud for an hour and a half with little to offer for it. It has its poignant moments but begins to get really irritating; about ten minutes from the end of the film, I actually asked myself out loud "How much longer do I have to deal with this guy?" For this film to bill itself "a comic tragedy" and "surprisingly funny" is complete bullshit. I laughed once. The supposed "humor" is entirely at Philip Seymour Hoffman's expense and just makes the entire movie even more awkward and depressing. Really, this movie is a mess; the only redeeming qualities are getting to experience those scattered touching moments and Hoffman's brilliant (of course) performance. Even his acting gets a little wearying by the end of the movie, though it probably has to do with the character. If someone's wife commits suicide and I spend more of the movie being bothered by them instead of feeling sorry for them, then I would say that it was probably a failure.

Drew Smith
Drew Smith

Super Reviewer

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