In his 19th film for Keystone, Charlie Chaplin plays a somewhat more sympathetic role as the husband of comedienne Mabel Normand. As so many of his Keystone comedies do, it begins in a park where Mack Swain, dressed in a sporty outfit and carrying a tennis racquet, leaves his wife seated on a bench and goes off to a neighboring saloon. Charlie and Mabel are seated on a nearby bench arguing about the state of Charlie's worn out shoes. Charlie goes off for a drink in the saloon, passing Mack on the way in, who returns to the park and begins to flirt with Mabel. She is first bemused by his attentions but then is outraged when Charlie returns and is unable to rescue her. In fact he isn't even able to get Mack's attention despite increasingly hard kicks to Mack's posterior, anticipating Charlie's confrontation with the bully in Easy Street. Mack eventually flings Charlie's top hat off in the direction of the bench where Mack's wife is seated. While Charlie retrieves the hat, Mack takes Mabel over to the lake shore where, despite her protestations and calls for Charlie to help her, he persists in mashing her. Mack's wife hears the commotion and, with Charlie, she confronts Mack and Mabel, accusing Mabel of flirting with Mack. Charlie, angry with Mabel, sends her home. Mabel, angry with Charlie for his weakness in not defending her, buys a prizefighter's dummy, which is dressed just like Mack, from a sporting goods store. Meanwhile, Charlie has returned to the saloon where he is harassed by the other patrons including Mack. Finally, Charlie is drunk enough to defend himself which he does by felling all four patrons with one well-placed kick. The dummy is delivered to Charlie and Mabel's apartment, and when Charlie comes home, he drunkenly believes the dummy to be Mack. He is intimidated by the dummy and tries to pacify it, offering it a drink. Whenever he pushes it, it rebounds and knocks him to the floor. Finally, Mabel enters from the bedroom and shows her soused husband that he's been afraid of a dummy.