Macao Reviews

  • Aug 07, 2016

    Macao is an incredible film. It is about Nick Cochran who has a chance to restore his name by helping capture an international crime lord. Robert Mitchum and Jane Russell give fantastic performances. The screenplay is well written. Josef von Sternberg did a great job directing this movie. I enjoyed watching this motion picture. I enjoyed watching this motion picture because of the adventure and drama. Macao is a must see.

    Macao is an incredible film. It is about Nick Cochran who has a chance to restore his name by helping capture an international crime lord. Robert Mitchum and Jane Russell give fantastic performances. The screenplay is well written. Josef von Sternberg did a great job directing this movie. I enjoyed watching this motion picture. I enjoyed watching this motion picture because of the adventure and drama. Macao is a must see.

  • Jun 23, 2016

    I've always liked this oddball film noir. The film has a great cast with Robert Mitchum, Jane Russell, William Bendix, Brad Dexter, and one of my favorite actresses, Gloria Grahame. The film was directed by Josef von Sternberg, with some rewrites and part of the film directed by the great Nicholas Ray, although there are conflicting reports as to how much of the film Ray directed. In any case, the end result is a very fun tale of romance and intrigue involving Mitchum and Bendix in an uneasy alliance to take down crime boss Dexter, while also dealing with a love triangle between Dexter, Russell, and Mitchum. Behind the scenes, director von Sternberg reportedly clashed with everyone on set, doing things like refusing to allow food on the set, to which Mitchum would bring a large picnic basket to set every day to share. Grahame also reportedly did not want to be on this picture and wanted producer Howard Hughes to loan her to Paramount to star in "A Place in the Sun," but Hughes refused to release her. Grahame would have been perfect for the role that eventually went to Shelley Winters, so it's a real tragedy Hughes refused to release her. I'm sure Grahame would have brought a lot more sympathy to the role compared to Winters performance which simply came off as irritating. But back to this film, "Macao" is not as smart as von Sternberg or Ray's best films, but it's a stylishly shot film and quite a bit of fun. And you also get Russell singing "One for My Baby." Even though this film isn't perfect, it is one that for some reason always sticks in my mind and one I like to every so often revisit.

    I've always liked this oddball film noir. The film has a great cast with Robert Mitchum, Jane Russell, William Bendix, Brad Dexter, and one of my favorite actresses, Gloria Grahame. The film was directed by Josef von Sternberg, with some rewrites and part of the film directed by the great Nicholas Ray, although there are conflicting reports as to how much of the film Ray directed. In any case, the end result is a very fun tale of romance and intrigue involving Mitchum and Bendix in an uneasy alliance to take down crime boss Dexter, while also dealing with a love triangle between Dexter, Russell, and Mitchum. Behind the scenes, director von Sternberg reportedly clashed with everyone on set, doing things like refusing to allow food on the set, to which Mitchum would bring a large picnic basket to set every day to share. Grahame also reportedly did not want to be on this picture and wanted producer Howard Hughes to loan her to Paramount to star in "A Place in the Sun," but Hughes refused to release her. Grahame would have been perfect for the role that eventually went to Shelley Winters, so it's a real tragedy Hughes refused to release her. I'm sure Grahame would have brought a lot more sympathy to the role compared to Winters performance which simply came off as irritating. But back to this film, "Macao" is not as smart as von Sternberg or Ray's best films, but it's a stylishly shot film and quite a bit of fun. And you also get Russell singing "One for My Baby." Even though this film isn't perfect, it is one that for some reason always sticks in my mind and one I like to every so often revisit.

  • Aug 24, 2014

    Not much of a story, but still well worth seeing thanks to Mitchum and Russell. Gloria Grahame is also wonderful in a too-small role. 'Macao' was initially directed by Josef von Sternberg, and has some of his old exoticism. But he clashed with both the studio and stars, and so Nicholas Ray was brought in at the last minute to re-shoot scenes.

    Not much of a story, but still well worth seeing thanks to Mitchum and Russell. Gloria Grahame is also wonderful in a too-small role. 'Macao' was initially directed by Josef von Sternberg, and has some of his old exoticism. But he clashed with both the studio and stars, and so Nicholas Ray was brought in at the last minute to re-shoot scenes.

  • Walter M Super Reviewer
    Aug 10, 2014

    On the boat to Macao, Nick Cochran(Robert Mitchum) is just minding his business when he is hit in the head by a shoe, leading to his rescuing Julie Benson(Jane Russell) from a possible sexual assault. In return, she lifts his wallet and passport. But at least she does not have to pay for the nylons that traveling salesman Lawrence Trumble(William Bendix) gives her as a free sample. In any case, casino owner Vincent Halloran(Brad Dexter) fingers Cochran as a cop sent to replace the last New York City cop Halloran had killed. As fairly simple as it is, "Macao" does have one neat trick of misdirection to play which probably worked better when the movie was released. After that, all it can do is rely on a little suspense and its stars' chemistry which is a mixed bag to say the least. While Robert Mitchum is supremely relaxed, Jane Russell has much more sex appeal than actual talent.(Admittedly, she can carry a tune or two.) That leaves it to Gloria Grahame to steal the movie whenever she is kind enough to put in an appearance.

    On the boat to Macao, Nick Cochran(Robert Mitchum) is just minding his business when he is hit in the head by a shoe, leading to his rescuing Julie Benson(Jane Russell) from a possible sexual assault. In return, she lifts his wallet and passport. But at least she does not have to pay for the nylons that traveling salesman Lawrence Trumble(William Bendix) gives her as a free sample. In any case, casino owner Vincent Halloran(Brad Dexter) fingers Cochran as a cop sent to replace the last New York City cop Halloran had killed. As fairly simple as it is, "Macao" does have one neat trick of misdirection to play which probably worked better when the movie was released. After that, all it can do is rely on a little suspense and its stars' chemistry which is a mixed bag to say the least. While Robert Mitchum is supremely relaxed, Jane Russell has much more sex appeal than actual talent.(Admittedly, she can carry a tune or two.) That leaves it to Gloria Grahame to steal the movie whenever she is kind enough to put in an appearance.

  • Sep 22, 2013

    It's not the best film around...but, it's still worth watching at least once in your lifetime.

    It's not the best film around...but, it's still worth watching at least once in your lifetime.

  • Bruce B Super Reviewer
    Feb 12, 2013

    This ios Film Noir at its best. Its been a long time since movies were made like this, and I miss them, filtering throught the junk that is put on film screens in the united states is very dissapointing, and not getting better, I mean why do I have to watch a present day Disney / Pixstar movie with a cartoon animal busting his balls on a fence, or why does every movie always show a man pissing,are women turned on by this I don't Think So, Anyway here is my review, sorry I got up on my soapbox again. Nick Cochran, supposedly an American adventurer and petty criminal, arrives, short of cash and on the run from the United States where he is wanted, in Macao (at this period still a Portuguese colony). Arriving on the same boat is an attractive young woman named Julie Benson. Julie is hired by Vincent Halloran, the local gambling boss, as a singer in his casino-cum-nightclub. Halloran is also wanted in America (for offences far more serious than Cochran's), but cannot be extradited as long as he remains in Macao. Although this is a short film, there is still time enough for the plot to become very complex. A number of the characters are not what they seem. Is Cochran, for example, what he purports to be, or is he really a cop trying to lure Halloran beyond Macao's three mile limit into international waters where he can be arrested? Who is Lawrence Trumble, the mysterious salesman who also appears to have a sideline in stolen jewellery? This is the second film which Robert Mitchum and Jane Russell made together; the previous year they had starred in "His Kind of Woman". The two films have much in common beyond the two leading actors. Both have an exotic setting and both feature gambling and a ruthless gangster. The two leads play similar types in both films, Mitchum a seedy, down-on-his-luck character, likable despite his shady past and occasionally cynical exterior, and Russell a sultry glamour girl. There is, however, an important difference between the two films. "His Kind of Woman" can be seen as a comic send-up of the crime thriller genre, starting off in the dark, menacing film noir style and then metamorphosing into a comedy action-thriller. "Macao" is the genuine article rather than a parody, being for the most part played seriously rather than for laughs, although it the atmosphere is perhaps lighter than in some other films noirs. The difference lies less in the look of the film- "Macao" has some striking black-and-white photography- than in the moral atmosphere. Films such as the Humphrey Bogart classics "The Maltese Falcon" and "The Big Sleep" were notable not only for their dark, gloomy look but also for their tone of moral darkness. The private eye characters played by Bogart struggle to maintain their private integrity in a world of corruption and deceit. In "Macao" there is something closer to a traditional morality, with good triumphing over the evil of the ruthless villains. The result is perhaps something of a hybrid between authentic noir and a more traditional adventure thriller, still highly watchable even today. 5 Stars Should have gotten 10 its that good. 2-5-13

    This ios Film Noir at its best. Its been a long time since movies were made like this, and I miss them, filtering throught the junk that is put on film screens in the united states is very dissapointing, and not getting better, I mean why do I have to watch a present day Disney / Pixstar movie with a cartoon animal busting his balls on a fence, or why does every movie always show a man pissing,are women turned on by this I don't Think So, Anyway here is my review, sorry I got up on my soapbox again. Nick Cochran, supposedly an American adventurer and petty criminal, arrives, short of cash and on the run from the United States where he is wanted, in Macao (at this period still a Portuguese colony). Arriving on the same boat is an attractive young woman named Julie Benson. Julie is hired by Vincent Halloran, the local gambling boss, as a singer in his casino-cum-nightclub. Halloran is also wanted in America (for offences far more serious than Cochran's), but cannot be extradited as long as he remains in Macao. Although this is a short film, there is still time enough for the plot to become very complex. A number of the characters are not what they seem. Is Cochran, for example, what he purports to be, or is he really a cop trying to lure Halloran beyond Macao's three mile limit into international waters where he can be arrested? Who is Lawrence Trumble, the mysterious salesman who also appears to have a sideline in stolen jewellery? This is the second film which Robert Mitchum and Jane Russell made together; the previous year they had starred in "His Kind of Woman". The two films have much in common beyond the two leading actors. Both have an exotic setting and both feature gambling and a ruthless gangster. The two leads play similar types in both films, Mitchum a seedy, down-on-his-luck character, likable despite his shady past and occasionally cynical exterior, and Russell a sultry glamour girl. There is, however, an important difference between the two films. "His Kind of Woman" can be seen as a comic send-up of the crime thriller genre, starting off in the dark, menacing film noir style and then metamorphosing into a comedy action-thriller. "Macao" is the genuine article rather than a parody, being for the most part played seriously rather than for laughs, although it the atmosphere is perhaps lighter than in some other films noirs. The difference lies less in the look of the film- "Macao" has some striking black-and-white photography- than in the moral atmosphere. Films such as the Humphrey Bogart classics "The Maltese Falcon" and "The Big Sleep" were notable not only for their dark, gloomy look but also for their tone of moral darkness. The private eye characters played by Bogart struggle to maintain their private integrity in a world of corruption and deceit. In "Macao" there is something closer to a traditional morality, with good triumphing over the evil of the ruthless villains. The result is perhaps something of a hybrid between authentic noir and a more traditional adventure thriller, still highly watchable even today. 5 Stars Should have gotten 10 its that good. 2-5-13

  • Nov 27, 2012

    i love these old pix set in exotic locales think 'the letter' or 'red dust' all done on the backlot of RKO

    i love these old pix set in exotic locales think 'the letter' or 'red dust' all done on the backlot of RKO

  • Nov 13, 2012

    I like the two main stars, but the plot is barely there and the film is pretty short. It doesn't even take advantage of being set in Macao--it just is... for some reason. Not terrible, but not good either.

    I like the two main stars, but the plot is barely there and the film is pretty short. It doesn't even take advantage of being set in Macao--it just is... for some reason. Not terrible, but not good either.

  • Jul 05, 2012

    Stilren noir som går på en hel del rutin men skådespelarna drar lasten i hamn.

    Stilren noir som går på en hel del rutin men skådespelarna drar lasten i hamn.

  • Nov 01, 2011

    robert mitchum was good

    robert mitchum was good