The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Note to filmmakers everywhere: If you want to depict emotional dissonance through relentlessly swirly cinematography, do it sparingly. If you do it for 90 minutes, as Decker does, the audience isn't stirred. It's queasy.
Madeline's Madeline flirts with entering the humanity-versus-bestiary debate... But it's less about that than the fetishization of mental illness, and no less than Evangeline, Madeline's Madeline blurs the line between observing it and exploiting it.
Madeline's Madeline is not a statement but a fiercely curious exploration of the dense relationships between artist and viewer, art and life, story and teller, and the different ways we perform ourselves every day.
Madeline's Madeline is a fascinating, often astonishing experimental work that obliterates the traditional structure of coming-of-age movies, but despite how abstract things may get, the emotion driving it remains crystal-clear.