The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Unfortunately both the story and the effects take a slide into silliness in the third act, as the open-ended short lurches into a melodramatic conclusion that chimes with del Toro's taste for fairytale excesses.
If you're going to have a ghost in your movie, it might be a good thing to present a viable alternative to that ghost. "Mama," however, presents a battle between two not very good options before crumbling like a sheet on a string.
Guillermo del Toro - the director of such minor masterpieces as "The Devil's Backbone" and "Pan's Labyrinth" - weakens his sphere of influence by producing a sorely underdeveloped horror movie that manufactures scares from the crudest of tropes.
The visual effects and sound design are unique, and a pleasure to watch, even when the suspense isn't really working. Producer del Toro should have let more things stay ambiguous and encouraged first-time director Muschietti to concentrate on the mood.