Mary Poppins Returns
Mission: Impossible - Fallout
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All Critics (15)
| Top Critics (3)
| Fresh (14)
| Rotten (1)
An action film without guns or even that much violence, it unfurls like an elegant ballet.
Has a feather-light plot that flies in the face of credibility, but contains all the right components for an entertaining hit, like gracefully choreographed action sequences by martial arts veteran Yuen Biao, and a well-assembled cast.
Yam's easy charm holds the pic together, and supports are are all solid, with Lam standing out among the sparrows and the Mandarin-speaking Lin fine as the skittish but crafty Chun-lei.
A beautifully made, deliberately puzzling thriller...
The slow-burn of a cigarette in a lip-glossed mouth, the languid sprawl of Hong Kong, and a jazzy, bluesy soundtrack give this Cantonese drama an arty insouciance.
Clearly a labour of love.
It's a sprightly comedy caper about a pickpocket gang that pays eccentric homage to French cinema.
Has all the lyricism, fluency and precision of a musical.
Pretty, energetic, funny.
While Sparrow has done without the realism and darkness of To's previous movies, it still excites and engages in different ways. It's something unique, a fusion of styles and cultures that you rarely find in cinema.
The brisk directorial sleight-of-hand that dominates Sparrow might leave you somewhat bewildered, but you will be too awestruck by its cool craftsmanship to feel in any way robbed.
Plays out with the light energy of a dance for most of its brisk running time.
Quite slow and not the easiest to follow, but the scene at the end with no speaking is very well done and makes the movie worth a look. Also very nicely filmed street shots and I liked the black and white photography.
To never fails to bring a smile to my face, even when the plot is not making a lot of sense. Simon Yam has more charisma, screen persona and acting skills than all hollywood put together. Also, weird to see Ka Tung Lam not playing a villian.
Johnnie To takes a step away from the usual crime suspense films that have made him a successful director and producer. It really is different to see no guns in a To film, but in the end, Sparrow is vintage Johnnie To.
The story revolves around pickpocketing, but there really is more to it than that. You need to pay attention and follow the characters to get the full effect of what is going on. As usual the dialogue is at a minimum, which lets the acting and great cinematography tell the story. The minimal dialogue does tend to keep you in the dark, but that just makes the movie that much more entertaining.
With Sparrow, the background music is upbeat, jazzy, and it does wonders in this setting. It is almost as if it is a musical of sorts. This is a nice way to liven up a drama.
The cast is made up of actors that are no strangers to Johnnie To films. Simon Yam is the lead once again and he carries this picture with no problem. The beautiful Kelly Lin fills the shoes for the female lead and she carries the film where Yam doesn't. Ka Tung Lam, Wing-cheong Law, Hoi-Pang Lo, and Kenneth Cheung round out the supporting cast. Lam Suet also finds a role to play in here.
Sparrow may be missing the great shootouts, cops, and gangsters that we are used to seeing, but that doesn't make this a bad film. This just shows that Johnnie To is able to take his directing style over to another type of genre. Don't be afraid to check this out if you are a Johnnie To fan.
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