Man on Fire

2004

Man on Fire (2004)

TOMATOMETER

Critic Consensus: Man on Fire starts out well, but goes over the top in the violent second half.

AUDIENCE SCORE


Want to See

Not Interested

Add Rating
My Rating    

Man on Fire Photos

Movie Info

A wave of kidnappings has swept through Mexico, feeding a growing sense of panic among its wealthier citizens, especially parents. In one six-day period, there were twenty-four abductions, leading many to hire bodyguards for their children. Into this world enters John Creasy, a burned-out ex-CIA operative/assassin, who has given up on life. Creasy's friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos, daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard, especially to a youngster, but for lack of something better to do, he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly, she chips away at his seemingly impenetrable exterior, his defenses drop, and he opens up to her. Creasy's new-found purpose in life is shattered when Pita is kidnapped. Despite being mortally wounded during the kidnapping, he vows to kill anyone involved in or profiting from the kidnapping. And no one can stop him.

Watch it now

Cast

Denzel Washington
as John Creasy
Dakota Fanning
as Pita Ramos
Marc Anthony
as Samuel Ramos
Radha Mitchell
as Lisa Ramos
Jesús Ochoa
as Fuentes
Mickey Rourke
as Jordan Kalfus
Angelina Peláez
as Sister Anna
Gustavo Sanchez Parra
as Daniel Sanchez
Gero Camilo
as Aurelio Sanchez
Mario Zaragoza
as Jorge Ramirez
Iztel Navarro Vazquez
as Sandri's Girl
Charles Paraventi
as Guardian Two
Carmen Salinas
as Guardian Three
Marizol Cal y Mayor
as Eighteen's Girlfriend
Norma Pablo
as Reina Rosas
Georgina González
as Rayburn's Wife
Abraham Sandoval
as Rayburn's Kid
Jorge Zárate
as Customs Official
Alejandro Camps
as Bodyguard 1
Jorge Almada
as Bodyguard 1A
Carlos Barada
as Bodyguard 2
Eduardo Diaz Yanes
as Bodyguard 2A
José de Jesús Muñoz Hernández
as Japanese Businessman 1
Takanori Takena
as Japanese Businessman 2
Yorge Yu Lee
as Japanese Businessman 3
Ryoji Ishiguro
as Japanese Businessman 4
Ryoirchiro Yoshida
as Japanese Businessman 5
Roberto Kwok
as Japanese Businessman 6
Jorge Victoria
as Commandande Judicial
Ariane Pellicer
as Reporter 1
Adrian Grunberg
as Docile Reporter
Raul Zermeño
as Highranking Government Official
Jorge Melo
as Judicial Police
Jorge Picont
as Piano Teacher
Steve Gonzalez
as Insurance Lawyer
Alberto Pineda
as Fuentes Man 1
Jesús González Leal
as Fuentes Driver
Rodrigo Chavez
as Fuentes Man 5
Fernando Arvizu
as Thug Cop 1
Alberto Estrella
as Adjutant AFI
Gerardo Taracena
as Executive Adjutant
Hugo Genesio
as Plainclothes 1
Gonzalo Alvarez
as Plainclothes 2
Elvira Richards
as Vet Assistant
Enrique Cimet
as Elderly Man
Sparkle
as Elderly Woman
Dunia Alvarez
as AFI Plainclothes 1
Beatriz Pina
as Undercover AFI
Hector Tagle
as Mariana's Driver
José Montini
as Restaurant Owner
Jose Jesus Garcia
as Sanchez Kid 1
Daniela Martinez
as Sanchez Kid 3
Ruben Santana
as AFI Trailer Tech 1
Fernando Berzosa
as AFI Trailer Tech 2
Eduardo Rivera
as AFI Operator on Radio
Ofelia Aguirre
as Interviewer
Rossana Fuentes
as Newscaster
Victor De Pascual
as Arms Dealer
Norma Martinez
as Arms Dealer 2
Enrique Gonzalez
as Taxi Driver
Rafael Gaucin
as Customs Official 2
Manuel Poncelis
as School Clerk
Arturo Farfan
as Bartender
View All

News & Interviews for Man on Fire

Critic Reviews for Man on Fire

All Critics (163) | Top Critics (40)

Suffice it to say nothing about this pumped-up, hyperthyroidal Tony Scott revenge flick makes sense, but it takes two hours to kill off as many people and demolish as many vehicles as Charles Bronson used to do in 30 minutes.

Apr 29, 2004 | Full Review…
Observer
Top Critic

Intentional or not, Man on Fire's over-the-top evocation of Christian retribution goes a long way to making this otherwise standard revenge fantasy watchable.

Apr 27, 2004 | Full Review…
Village Voice
Top Critic

I'm recommending Man on Fire for that bold style, its unapologetic comic book story arc, and the great performances from Denzel Washington, Christopher Walken and young Dakota Fanning.

Apr 26, 2004

This movie isn't just about a kidnapping; it is a kidnapping, and we're the hostages.

Apr 24, 2004

Despite a red-hot performance by Washington as the antiheroic, self-annihilating title character, the film as a whole, while possessing a kind of vicious beauty, feels as cold and as embalmed as a corpse.

Apr 23, 2004

A predictable, gruesome piece of business that tries to ennoble one-man vigilante justice with the star power of Denzel Washington.

Apr 23, 2004

Audience Reviews for Man on Fire

Cool movie where Denzel protects a litte girl at all costs.....what isn't awesome about that?

Eric Alvarez
Eric Alvarez

Super Reviewer

½

Tony Scott's Man on Fire gives meaning to the word assassin.

The plot doesn't necessarily blow anything out of the park, but the way the story itself unfolds is what gives this film its entertainment value. Despite being a tad lengthy, as it approaches 2 and a half hours, the first hour of character development really sets up the the second half quite nicely.

It's no secret that time does pass until the action shows up, but it is worth the wait. The violence is served with a good helping of blood and brutality, while also not going overboard as to be on the gruesome side; however, Tony Scott's visual effects tends to detract from, not just the action scenes, but the rest of the film as well.

Denzel Washington is a solid choice as former agent Creasy. Dakota Fanning also lives up to expectations. The chemistry between the two is on the money and this is what really makes this picture work.

Man on Fire does have a few disappointments, but all in all, it is one recommendable film.

JY Skacto
JY Skacto

Super Reviewer

½

Tony Scott takes a typical story of redemption and turns it into one of his typical, albeit entertaining stylish frenetic action romps. John Creasy is a burnt out, depressed, alcoholic ex-CIA agent turned mercenary who gets a new lease on life after he agrees to become the bodyguard to a precocious little white girl named Pita living in Mexico City with her affluent "new money" parents. Slowly but surely, Pita starts to rehumanize Creasy and bring him out of his slump. He goes over the edge and returns to his violent past life however, when she gets kidnapped and held for ransom. And, as you might expect, there's a twist (like always) and the film is heavy doses of both heart, mayhem, and splattered wall to wall with both blood and religious iconography/symbolism. Basically this is a lot like Taxi Driver in many repects, though not nearly as competantly made, memorable, or brilliant. It's solid, sure, but Scott's stylistic tendencies are a bit overbearing and distracting here. I know he included them as a way of trying to set this routine story apart from other films of this ilk, but it doesn't work out for him nearly as much as it should. The dialogue is clunky, the film isn't quite as balls to the wall in some places (as it should have been), and, even though I am a fan of heavy religious symbolism, it feels way too forced here. Also, the subtext involving corruption in Mexico is a little trite and really glossed over instead of being insightful and full of depth. I do like htis movie though. I mean, it's Denzel Washington kicking ass and taking names...what's not to like? Walken put in an okay supporting performance where he doesn't paly a villain this time, and yeah, this is the breakout film for little Dakota Fanning who does a decent job with the amount of screentime she's given. All in all, this is passable, but overwhelmingly underwhelming in it's lack of focus and over the top with it favoring of style over substance. B-.

Chris Weber
Chris Weber

Super Reviewer

Based on a novel which I didn't know and actually a remake of an earlier film from 1987, pretty much the same deal accept its set in Italy as at the time there were many kidnappings there. This time Scott sets the film in Mexico City for its high scores in kidnapping and the grounded Washington takes on the role as Creasy. First thing I have to mention is how good this film looks, the Scott brothers know how to make films look sweet and this is no exception. You really get a hot humid, sweaty, sticky feel for this setting, you can sense the tension and stress on 'Creasy's' shoulders merely from the weather that swirls around him. Mexico City is a vibrant colourful place and Scott makes full use of this with his camera angles and uneasy sequences which he seems to almost blur when combined with the native soundtrack and fast movements of the action, everything feels uncomfortable as you wait for the inevitable to happen. The only issue I had with the film is its really quite predictable even if you have never seen the first film or read the book, Washington is stoic and owns his role but you know what's gonna happen at every turn. The film is also a bit slow really as we see 'Creasy' gradually gain 'Lupita's' trust and friendship which is needed of course but basically the fun doesn't kick in until she is stolen away, until then your just watching filler as it were. I think the film wants to be epic but doesn't really make it, the cast is certainly aimed at a thriller epic and the musical score really really wants you to feel the emotion as it builds towards the end but I personally just didn't feel it. I think Tony tries to nick his brothers idea from 'Gladiator' with the haunting score towards the end, the kind of 'Clannad' type sounds do seem rather familiar. Its a solid film with good performances but not as stand out as you would hope for, quite bleak and dirty with a real gritty essence but ends up becoming a typical vengeance thriller, better than most but nothing grand.

Phil Hubbs
Phil Hubbs

Super Reviewer

Man on Fire Quotes

News & Features