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No consensus yet.
All Critics (7) | Top Critics (2) | Fresh (7) | Rotten (0)
Warm, lush and topical human drama. Sep 8, 2018 | Full Review…
Warm, lush and topical human drama.
Clarence Tsui
This superficially simple tale of identity, displacement and friendship is wrapped in layers of symbolism that will likely be pleasurably hypnotic for many viewers. Sep 7, 2018 | Full Review…
This superficially simple tale of identity, displacement and friendship is wrapped in layers of symbolism that will likely be pleasurably hypnotic for many viewers.
Richard Kuipers
The film seems to switch genres mid-way, and comes across as a crafty visual address to our times, centered on themes of displacement, loneliness and closure. Oct 24, 2018 | Full Review…
The film seems to switch genres mid-way, and comes across as a crafty visual address to our times, centered on themes of displacement, loneliness and closure.
Rahul Desai
The explanatory scenes ballast the experiment a bit but, even so, Manta Ray, in its best moments, retains an unusual strength, a sometimes hypnotic, always hallucinatory, visual power. [Full review in Spanish] Sep 24, 2018 | Full Review…
The explanatory scenes ballast the experiment a bit but, even so, Manta Ray, in its best moments, retains an unusual strength, a sometimes hypnotic, always hallucinatory, visual power. [Full review in Spanish]
Carlos Losilla
Aroonpheng's great achievement is to convey a sense of humanist outrage while telling an involving, sometimes headily perplexing story in a magical realist register. Sep 22, 2018 | Full Review…
Aroonpheng's great achievement is to convey a sense of humanist outrage while telling an involving, sometimes headily perplexing story in a magical realist register.
Jonathan Romney
As Aroonpheng slowly but surely breaks our hearts across his measured 105-minute running time, he also shows that you don't need water to find yourself drowning. Sep 14, 2018 | Rating: 4/5 | Full Review…
As Aroonpheng slowly but surely breaks our hearts across his measured 105-minute running time, he also shows that you don't need water to find yourself drowning.
Amber Wilkinson
Aroonpheng's background as a cinematographer and painter is clearly in evidence in the film, which is a visual feast whose striking images are serene while in continuous motion-like water rippling in a canal. Sep 11, 2018 | Full Review…
Aroonpheng's background as a cinematographer and painter is clearly in evidence in the film, which is a visual feast whose striking images are serene while in continuous motion-like water rippling in a canal.
Jennifer Lynde Barker
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