Mardi Gras: Made in China (2005)

Mardi Gras: Made in China



Critic Consensus: No consensus yet.

Movie Info

This examination of cultural and economic globalization follows Mardi Gras beads made in China by teenage girls and young women -- who work in a factory 12 to 14 hours a day, six days a week for around 10 cents an hour -- to the adults who exchange them in the 24-hour New Orleans Mardi Gras celebration.

Rating: Unrated
Genre: Documentary, Special Interest
Directed By:
In Theaters:
On DVD: Jul 29, 2008
Carnivalesque Films - Official Site



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Critic Reviews for Mardi Gras: Made in China

All Critics (22) | Top Critics (10)

Mardi Gras: Made in China is a thought-provoking, canny piece of filmmaking that puts flesh, blood and garish multicolored baubles on the skeleton of globalization.

Full Review… | August 10, 2006
Los Angeles Times
Top Critic

This smart, witty look at the human cost of free-market reforms and globalization tracks the necklaces from hard labor at one end to hedonism at the other.

Full Review… | August 10, 2006
L.A. Weekly
Top Critic

At minimum, this two-dimensional documentary does a decent job of displaying cavalier consumption alongside globalization and exploitative manufacturing.

Full Review… | April 28, 2006
Boston Globe
Top Critic

Feels like a sermon on vegetarianism being delivered to occupants of a Sudanese refugee camp.

Full Review… | March 24, 2006
Top Critic

Would play better if it were more focused and less repetitive.

March 24, 2006
New York Post
Top Critic

When [Redmon] runs out of things to say, his film lands in an anticlimactic puddle, just like the shiny trinkets forgotten after the party ends.

Full Review… | March 24, 2006
New York Daily News
Top Critic

Audience Reviews for Mardi Gras: Made in China

I viewed this film over five years ago and it's still lodged in my memory every time I go and purchase any product. If a film can have that sort of impact on me, it deserves 5 stars automatically.

Essentially an expose of working conditions in a small Chinese factory, as well as the mindset of its manager.

Fifteen year-old girls toil 12-to-14-hour shifts, six days a week, 51 weeks a year, for $62 a month in a dormitory/factory under a variety of oppressive rules (enforced by docking weeks of pay) to manufacture the beads tossed out at Mardi Gras - then eventually into the trash.

The amount of access the filmmakers obtained is impressive; even more impressive is the frankness, even pride, seen in the manager when explaining his Tayloristic and capitalistic management philosophies.

While the conditions portrayed are cruel indeed, the film still does not totally succeed in capturing the viewer's sympathy. The worker most closely studied admits she walked out on her own education and family support toward a medical degree - to instead go to work in this factory. The manager's living conditions are vastly superior to that of his workers, but highlighting that he owns a Pontiac Firebird and that his child has a lot of toys does not exactly paint him the robber-baron.

The film's most striking moments are when it exhibits the workers' constant reveling in the small joys of life amidst such squalor. When confronted with pictures and stories regarding how the beads are used, the factory fills with smiles, snickers and laughter, rather than the indignation the viewer might expect.

Nevertheless, when I trekked to WallyWorld at 4am this morning and passed by a display of colorful bundles of Mardi Gras beads, priced at $1.50 each, I stopped and stared and thought a few moments of these workers, sadly trapped in their endless cycle of misery and optimism - thought of them in just the way these filmmakers intended.

TonyPolito Polito

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