The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Kenneth Lonergan's new film, Margaret, finally released six years after it was shot, now seems destined to become part of film history as one of the more stunning examples of a filmmaker's sophomore slump.
On occasion, the film captures a welcome cross-section of modern New York life, serving as a freeform antidote to the intersecting-lives tidiness of similar films from the likes of Haggis and Iñárritu.
Despite a wrenching opening that saddles Paquin's character with more guilt than most anyone could bear, much less a less-than-steady-on-her-feet teen, the film lets some great performances and compelling moments drift in a sea of shapelessness.
Nearly every scene is acutely observed, a strong cast fully inhabiting Lonergan's symphonic collision of ideas and in tune with his ear for the harsh poetry of New York language, variously hyperbolic and sparing, engaged and self-protective.