The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
They took a small story, made it complicated and burdensome, filmed some actors performing it, turned those actors into affectless, mechanical cartoons, converted it to 3-D, and dropped it in theaters. Wheeee!
As used by Zemeckis, 'performance capture' technology turns actors into inferior simulacra of themselves. The effect of this 'realism' is not just creepy but kitschy -- and even ugly when placed in this story's anti-woman context...
The biggest problem, however, remains the animation style itself. Zemeckis' motion capture technology just isn't fit to depict human movement. Worse, it can't showcase a human eyeball to save its life.
This is just a big rollercoaster of a movie, filled with dazzling effects and funny creatures and the requisite five-hankie "I love you, Mom" ending. But then, there are some weird gender political battles at play here.