The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
As with a good live-action movie, it all begins with the script, and this one is solid-well thought-out, briskly paced, funny and sweet. In the end, it's the finished film that matters, not the process...
They took a small story, made it complicated and burdensome, filmed some actors performing it, turned those actors into affectless, mechanical cartoons, converted it to 3-D, and dropped it in theaters. Wheeee!
This is just a big rollercoaster of a movie, filled with dazzling effects and funny creatures and the requisite five-hankie "I love you, Mom" ending. But then, there are some weird gender political battles at play here.
It seems that it's time to admit that dressing actors in LED-studded catsuits, asking them to give performances on sterile white sets and handing the results to a team of computer animators is not a way to make a good movie.
While Wells's ice-blue color scheme borrows from both "Tron" films and a litany of "Star Trek" episodes, a majestic musical score by the great composer John Powell somehow makes everything old feel fresh and wondrous again.