Critics Consensus

Marshall takes an illuminating, well-acted look at its real-life subject's early career that also delivers as an entertainingly old-fashioned courtroom drama.



Reviews Counted: 140

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User Ratings: 8,539


All Critics | Top Critics
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Reviews Count: 0
Fresh: 0
Rotten: 0


Average Rating: 4/5

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Movie Info

Starring Chadwick Boseman, Josh Gad, Kate Hudson, Dan Stevens, Sterling K. Brown, and James Cromwell. Director Reginald Hudlin's Marshall, is based on an early trial in the career of Supreme Court Justice Thurgood Marshall. It follows the young lawyer (Chadwick Boseman) to conservative Connecticut to defend a black chauffeur (Sterling K. Brown) charged with sexual assault and attempted murder of his white socialite employer (Kate Hudson). Muzzled by a segregationist court, Marshall partners with a courageous young Jewish lawyer, Samuel Friedman (Josh Gad). Together they mount the defense in an environment of racism and Anti-Semitism. The high profile case and the partnership with Friedman served as a template for Marshall's creation of the NAACP legal defense fund.

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Chadwick Boseman
as Thurgood Marshall
Josh Gad
as Sam Friedman
Kate Hudson
as Eleanor Strubing
Dan Stevens (IV)
as Loren Willis
Sterling K. Brown
as Joseph Spell
James Cromwell
as Judge Foster
Keesha Sharp
as Buster Marshall
Derrick Baskin
as Ted Lancaster
Barrett Doss
as Bertha Lancaster
Zanete Shadwick
as Irene Lancaster
John Magaro
as Irwin Freidman
Ahna O'Reilly
as Mrs. Richmond
Jussie Smollett
as Langston Hughes
Rozonda 'Chilli' Thomas
as Zora Neale Hurston
Andra Day
as Minton's Singer
Jeremy Bobb
as John Strubling
Jeffrey DeMunn
as Dr. Sayer
Brendan Burke
as Captain Burke
Marina Squerciati
as Stella Friedman
Sophia Bush
as Jen at the Bar
Ed Jewett
as Wright
Dan Bittner
as Smiling Racist
Christopher Mele
as Insurance Court Judge
Lauren Friedman
as Rose Steinberg
Michael Bernardi
as Mr. Weisman
Chris Pera
as Thug at YMCA
Michael Dugan
as Reporter #3
Peter Johnson
as Harlem Musician
Tracy Martin
as Mississippi Father
Sybrina Fulton
as Mississippi Mother
Benjamin Crump
as Attorney Z. Alexander Looby
Alexander S. McBryde
as Bartender/Patron
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News & Interviews for Marshall

Critic Reviews for Marshall

All Critics (140) | Top Critics (33)

  • Marshall isn't so different from a well-made TV movie. But it plays well on the big screen anyway...

    Sep 14, 2018 | Rating: B- | Full Review…
  • This real-life case makes for an entertaining courtroom drama that nonetheless reduces Marshall to the level of Perry Mason and consigns to the end credits his greater triumphs.

    Oct 19, 2017 | Full Review…
  • In ignoring the lived reality of colorism, Marshall creates a circumscribed version of blackness that's easy for white audiences to consume, lacks any sort of challenging narrative, and bypasses the more fascinating wrinkles in its characters' lives.

    Oct 19, 2017 | Full Review…
  • The tight focus helps make Marshall more courtroom drama than biopic.

    Oct 19, 2017 | Full Review…

    Bob Mondello

    Top Critic
  • [Boseman is] totally convincing as an energetic young man, blessed with fierce idealism and swaggering charisma.

    Oct 18, 2017 | Rating: 3/5 | Full Review…

    Cath Clarke

    Top Critic
  • The problem with this hokey courtroom drama isn't that it says the right thing in the wrong way, the problem is that it ultimately doesn't say anything at all.

    Oct 16, 2017 | Rating: C | Full Review…

Audience Reviews for Marshall

It's a little strange that the movie is named after Thurgood Marshall and yet he winds up as a supporting player. There's a potentially interesting idea there, specifically how the inherent racism of the 40s forced Marshall into the background of this court case but it's barely explored.

Alec Barniskis
Alec Barniskis

Super Reviewer

This is a slightly above average, old-fashioned courtroom drama that doesn't push the envelope or pack any surprises but doesn't really disappoint either. Chadwick Boseman and Sterling K. Brown put on fine performances, while Gad, who I'm not a huge fan of if I'm being honest, does his best to keep pace. This is a solid movie about a subject that deserves to be spotlighted, but not a film that will leave a lasting impression.

Sanjay Rema
Sanjay Rema

Super Reviewer

I hate to say most, but there's a lot of biopics that are very formulaic in nature. And come to think of it, every genre deals with that issue. I can acknowledge that it's immensely hard to make a film that feels fresh and relevant at the same time. But I think the reason I tend to feel this way about biopics is because a lot of them seem to be directly aimed for the Oscar audience. And while that could be the case with Marshall, it's nothing less than a delightful film to watch. As with so many biopics, the main reason Marshall succeeds is Chadwick Boseman's unsurprisingly good turn as the famous lawyer, Thurgood Marshall. Whether or not Thurgood was this way in real life, I absolutely loved the sheer display of confidence in Boseman's portrayal. It was almost to the point of cockiness, without being arrogant. It's that balance that made me appreciate what this man brought to the table. Of course, there's also the dynamic of having a story that is still relevant to this day. Not only are people of color still discriminated, underestimated, and not believed in the court of law, but the idea of pitting race against race in the courtroom is something that is still unfortunately an issue today. So in a way, it was disheartening to watch the injustices happening throughout Marshall, as we know they are far from being over in the 1940's, but it's always nice to see something stick up for their people no matter what time period they are from. Boseman isn't the only one who gives a good performance as Josh Gad, Sterling K. Brown, Kate Hudson, James Cromwell, and a few others give valuable turns as their respected characters. I think my only issue with the film is that it ultimately felt very safe. I'm not one to know how these real life cases played out, but Marshall definitely feels like it took a guarded approach to the subject matter. Because of that, you can appeal to a mass audience, but I don't know that it was as detailed or thorough that it needed to be. Don't get me wrong, Marshall is a powerful film, but I think it could have taken an even further step forward into that realm. 8.2/10

Thomas Drufke
Thomas Drufke

Super Reviewer

One might think, given Chadwick Boseman has now played three historical characters in three rather high profile biopics, that it is not only something the actor enjoys or is good at, but that these historical figures might begin to meld together in one fashion or another as far as their screen personas are concerned. If nothing else though, Marshall proves that Boseman is as skilled an actor as he is a disguise artist given his representation of the titular character in Marshall is as different and unexpected as his incarnations of Jackie Robinson and James Brown were before. The fact Boseman doesn't really share any physical features with the late Marshall isn't distracting for, as Boseman has done in the past, he seemingly captures a spirit or an essence of that person-even if their personality wasn't widely known-and delivers in his portrayal that real personality. It's authentic and it's something you can't manufacture. Lucky for audiences, Boseman's performance and its definitive nature in clarifying Boseman's transformative abilities is not all the movie has to offer as Marshall is a number of interesting things bound together in a seamless and rather moving package that just so happens to include another phenomenal turn from an actor who has shown time and time again that there is no reason to doubt his talent or his choices. Furthermore, Marshall is as much a movie about Mr. Thurgood Marshall, American lawyer and eventual Associate Justice of the Supreme Court, as it is about Sam Friedman (Josh Gad), an insurance lawyer from Greenwich, Connecticut who comes to form something of an uncommon bond with the famed lawyer who went from town to town for the NAACP fighting for African Americans who were on trial not for their deeds, but for their race. It is important to note that Friedman was a white Jew (this takes place in 1941, mind you) and is someone who no doubt faced prejudice in his own life to certain extents, but it is this combination of Boseman and Gad and their buddy dynamic, of the biopic and the courtroom drama, and of those whodunit aspects with the structure of a super hero origin story that sets Marshall apart from not just being another serious drama pining for awards by portraying real-life events, but a motion picture that is genuine in its attempt to portray all facets of the life of a man who strove for nothing but admirable change. read the whole review at

Philip Price
Philip Price

Super Reviewer

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