The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Mary Magdalene only snaps into focus as narrative when we get to Jerusalem, chiefly because it gives these kids something to physically rail against - moneylenders, Judas kisses, Romans, and all. It's a little on the late side, though.
Other than to show that a woman called Mary who wasn't a prostitute was involved in the final weeks of the Jesus story, I have no idea what the filmmakers wanted for this project. I'm pretty sure they didn't achieve it.
Sets itself a bold task: to rescue Mary Magdalene from an age-old tradition of patriarchal condescension and misinterpretation. And yet it winds up embracing a solemn, softly-spoken and slow-moving Christian piety of its own.