Some of the lowest of the lower class during a very low time in Britain, it's characters are all so true to form. The characters are all really great and I want to watch this time after time just to see Tim Roth's performance as Colin.
Roth and Phil Daniels (perhaps best known for starring in 1979's "Quadrophenia," though his appearance is radically different here) play bickering brothers in a struggling, working-class family. Everyone is disillusioned and bitter, and Roth is doubly burdened because he's, well, apparently a dimwitted autistic. An exasperating mouth-breather hiding behind a muddy anorak and thick glasses, Roth presents a sharp contrast to the commanding, belligerent roles he usually takes. Actually, Daniels seems to grabbed the Roth-like part as a surly malcontent who manages to rub everyone the wrong way. Other important contributors include Pam Ferris and Jeff Robert as the equally miserable parents, and Marion Bailey as a vulnerable aunt who strains to put on a cheery face (think Dianne Wiest). Meanwhile, Peter Wight almost steals the movie in a hilarious, deadpan scene as a casually philosophical landlord.
One unusual flaw seriously hurts the appeal of "Meantime": Andrew Dickson's soundtrack. Outside of "Welcome to L.A." (1976), I can't think of another solid film so grossly sabotaged by an unlistenable score. Words alone cannot capture its wretchedness. Some instrument sounding like a tack piano or hammer dulcimer meanders up and down a small, ringing span of notes in a vaguely Middle Eastern mode, while a quacking saxophone occasionally intrudes to add extra color. The sheer torture of hearing the main instrument strain upward to the same quizzical notes plucked over and over again is something no one should have to experience twice. It's that awful. Really.
lite risigt ljud s√• ett tips √§r att ha p√• engelska HOH.